LnTh
Well-known member
Why aren't you busy trying to pull 357 scams? Leave the forum and get back to work or your owner might whip you!18&Life said::lol: :lol: :lol:
Why aren't you busy trying to pull 357 scams? Leave the forum and get back to work or your owner might whip you!18&Life said::lol: :lol: :lol:
darkalone said:I can't imagine anyone being unhappy with a TriAxis. It's overflowing with great tones.
I play metal, first and foremost. I have more than enough amazingly awesome settings for my rhythms, spanning LD1 Red, LD2 Yellow, and LD2 Red. There is plenty of versatility and certainly ample gain for metal.
And unlike most people here, I have no issues with the Dynamic Voice. I do wish I had a traditional 5-band Mark EQ, but I find the Dynamic Voice gives me a very good shaping to my tone. I've been unable to get the same response out of the EQ on my G-Major, especially in my low-end. So I find the DV just fine.
In short, I love my TriAxis, and despite playing through some awesome amps recently, including Bogners, Deizels, and H&Ks, I wouldn't trade my TriAxis for anything.
disassembled said:I disagree with the above post where pre tubes make a world of difference. They make subtle changes but won't make the TA go from sounding like a turd to a shiny piece of chrome.
The only way i could see someone saying there is a night and day difference is if the old tubes are extremely worn out or are faulty.
It's all in the settings and the player.
BTW i am not calling you a liar it just seems a little exaggerated.
Greg
disassembled said:The problem in this thread is the OP is having a hard time dialing in the amp; not that he has it dialed in almost perfectly and needs just a hair more clarity or just a hair more ummph.
I believe the problem has nothing to do with tubes, unless they are faulty, but possibly a personal taste confliction, settings, technique, etc.
visualrocker69 said:OK, so I got a tip from Pauly from the Petrucci Forum that more presence is essential to more percieved gain. He told me to crank the presence on the TA and really not use it much at all on the 2:90 except to fill in the upper frequencies a tad. So I have the presence set on my Triaxis anywhere from 2.0 to 5.0 depending on how sizzley I want my preset to be. Obviously for smooth soloing, I keep it down there between 2.0 and 3.5 but I crank it for high gain riffing 8)
Anyway, I'm sure that with some tube swaps for these "subtle" changes I can nail the tone I want... more or less.
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