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http://www.rocknrollvintage.com/prodimages/1981-Mesa-Boogie-Mark-II-B-Big.jpg it is like that. the bass does not have a push/pull. it does not have the power amp/pre amps jack, so i guess it's looking like a IIB. What is this SLAVE knob?? the reverb is broken so maybe the slave is too, but i...

The necessity of high output pickups is only crucial when playing through an amp without master volume. if you're playing through an amp with a gain channel or are applying it with pedals, any output of pickup can "handle" it. its just a difference of tone. but if you're turning up a plexi to 11...

I don't think anyone's knocking the durability and quality of a vintage or custom shop gibson. recent gibsons are the ones being referenced here for QC issues, at least by me.

I look not for sympathy, but for people that can relate. I am sober now and have been since the end of April after treatment and intensive AA. i am currently in a sober living house. for the record, the term "dope" to me is not crack, rx pills, weed or anything except for one thing-heroin. I...

I've owned the Boss, dynacomp, analogman juicer, & analogman comprossor. Played the keeley quite a bit. as far as standard priced, I'll take the dynacomp over the CS-2 every time. the dynacomp really is a great pedal for what it is, a standard, affordable compressor. the compressor is/was a huge...

I sold: -1989 fender strat with 2005 1 piece maple neck, three duncan buckers, graphite saddles, 500k pots (push pull volume), & sperzel locking tuners. -Analogman King of Tone -Analogman Juicer -Analogman TS-9 Silver -Analogman Beano Boost -Teese RMC-2 -'66 blackface super reverb -mxr stereo...

Should've used that money for quality instead of quantity.

especially after listening to too much phish.

man i miss the 2210 so much.... the '89 2210 is my favorite marshall.

This, the 9200, and groove tubes power amps are my favorite. I ran a JMP-1/9200 combo through double 1960v cabs for quite awhile, KILLER amp that one!! The EL-34 gives a much more classic "marshall" tone than the 9200, I like it a lot. I like to crank the volume all the way on the power amp and...

I would say King of Tone, but chances are you'll encounter massive problems trying to acquire one. the ultimate fender OD for me is a analogman silver-modded ibanez TS-9, preferably with a nice *** compressor.

I mic my amp. But if you're not doing that, it depends on the amp. I've heard 50 watters that are louder than higher wattages. Wattage is more a determinant of the volume the amp breaks up at.... a 50 will get nasty before a 100. depends on the size of the venue. if it's a club 20 watts is more...

A bunch of botique pedals. if a guitar, a late '80s MIA swimming pool-routed strat, drop some buckers in it, put a new 1 piece maple neck on it, 500k pots (push/pull volume) in there, sperzel tuners, graphite saddles. If an amp, a one-knob victoria.

A supreme stratocaster!!! Love everything about it except the PICKUPS. AIII=no bueno for me. Put some antiquities in there or something I think i'd be my favorite stratocaster. I just don't know about the money. My favorite fender pickups come in the Jimmie Vaughan strat. I love the neck, too...

I will add: i would go LP if you're getting it from the custom shop. supreme work is done there. as far as floor models, see above.

when it comes to pickups I'll spend as much as I have to in order to get the best tone. My recommendation will be complicated, because pickups are complicated. they are each unique in their own way and have certain characteristics and such. So I can't tell you what to get, just a general...

Gibson's quality control has gone to ****. I like the sound of the custom PRS better anyway. I prefer maple, bolt-on necks, ability to switch between humbucking and single, the finishes, and the sound way better on PRS guitars. the les paul is seductive because it's such a classic. but for me...

I SWEAR by my George L patch cables. no unnecessary space taken up, thin cable itself, excellent quality. excellent price. I use 24k gold monster instrument cables to plug my guitar into the board and my board into the amp.

I don't use lots of pedalboard effects. all my delays/reverbs/flangers/chorus are in the rack. i have a phase 100 in the loop. I only use 6-8 pedals on my board, so i have one like this: just velcro the back, leave 'em plugged up and ready to go, and when it's time to move them i keep the...

ALWAYS wah before overdrive for me. if it's after the OD the wah sound is way too pronounced. and i play a lot of very low gain borderline clean type tones with my wah and they are annihilated if the OD comes first.