Ha, here's a more thorough review:
I work in Santa Ana, CA and pass the Carvin outlet everyday on my way to the office. I just returned from that store where I spent my lunch break. There, I played several CT4s and even a Holdsworth- Holy hell! THat neck is flatter than a 2x4!
Anyway, I am thouroughly impressed with the tone and craftsmanship of the CT4s I demoed today. Some of them had very minor flaws- the sort you'd find on PRSs and the like and the sort Gibson wished they had (ask me how I know
).
Ahh, I played on with a beautifully figured bird's eye maple board and one with a rosewood board- which was suprisingly smooth and free of open grain. Seriously, both boards felt powdery smooth and flawless. I'd go so far as to say that you could go ahead and make your choice based on the aesthetics alone- the feel and tone of all are perfect. The fretwork was also really good!
The necks have a sweet rolled edge and feel broken in already and the shape of the back is just right- a soft "c" for that familiar feel. The tuners are nice. One complaint would be that the locking knobs are rather narrow and sharp, but it's really a trivial complaint and not even worth mentioning.
The guitars were relatively light and very resonant. The switches operated with firm, positive throws- like my MR2, haha
. And the pots and pull switch operated similarly.
I was able to get any tone I wanted short of authentic strat quack or tele twang, but the variety was so usable I didn't feel handicapped at all.
I am very impressed- and I am one very critical guy. This will be my next guitar and I will order it from the store directly. This way, I can communicate with the sales associate face to face and there is that level of accountability that is there on their part. BTW, the sales people did not pester me at all and were very knowledgeable and kind.
Right now, I'm going with a black top on a clear mahogany back with pseudo-binding and chrome hardware!
~F
Ruining good moments since 1975.
Oh, the V3 is very Recto-like. I play a DC-10 head with a 1960 cab and I find it's gain structure alot smoother and "freer of fizz", if you will, but if you dig the Recto, you will no doubt dig the V3. The knobs and switches, by contrast do feel cheap by comparison and I do not like the 3 toggles to switch b/t channels. But! Tonewise, it's a good way to get the Boogie-ESQUE tone on the cheap.