Pyro said:Ok fair enough but look at it this way. What style of music would you use a guitar totally dry with????
Blues, Rock, Prog Rock, Jazz, Pop......blah blah blah. I cant think of one style of music that has a totally dry guitar signal. Everything is wet up with either a delay or reverb.
Now you yourself said you care about the Tone of the Amp more. So.....why buy an expensive amp with a great tone and then ruin that tone by putting a delay or reverb straight into the front of it. And lets face it, time based effects sound bad into the front but you HAVE TO have them to play music.
Somebody who buys a cheap amp might not mind but when you fork out big bucks for a mesa you expect to be able use it
LerxstLee said:I would grab a celestion alnico gold. Break it in and you will be golden.
Speaking for myself, they are expensive but worth it.
Skwisgaar said:LerxstLee said:I would grab a celestion alnico gold. Break it in and you will be golden.
Speaking for myself, they are expensive but worth it.
Worth considering, especially for a small cab. The only reservation I have is that I was under the impression alnico mag speakers won't give you a tight, chunky, "metal" low end.
Personally, I think time based effects are rack based material - they are too noisy to string a bunch of stomboxes together. For a practice amp, a compressor and a wah are the most I'd want to use.
The lack of an effects loop isn't as big a thing to me as Engl's lack of adequate preamp gain on their mini-heads. They obviously intend for you to use a distortion pedal with the head, but that's like putting a preamp before your preamp; a really great idea if you want a lot of noise.
TimeSignature said:Speaking from experience, an FX loop OR at the very least reverb is IMO a nice feature to have. I have a VOX Night Train, and although I like the tone, it would be really nice to have some reverb or delay to kinda soften up the tone a bit. I paid about $450 after tax for the night train and that sounds about right. I personally cant justify $899 plus tax on a micro head. That means, with a quality speaker/cab, you are looking at easily over a grand??? I can think of lots of amp combo's I'd rather have for $1000. I guess Im just a little disappointed at the price being as I want one of these without even playing one like most of the folks on this board. :lol: . Maybe the tone will justify the price.... guess I'll have to wait and see.....
Skwisgaar said:The Jensen Blackbird is a 100 watt Alnico speaker. I think the Jensens are known for a muted high end? Beating out Eminence speakers isn't all that hard...
You can always order a cab with any speaker you please from Mills Acoustics. J Design, Port City, and Trutone will at least ship unloaded cabs if they don't offer the speaker, at a reasonable price (Mesa will ship their cabs unloaded, for a trivial discount).
I think it's cool how the information age has brought back E/V, Fane, and Jensen. Those brands are just as respectable as Celestion. It's much easier to get exactly what you want and not settle for what the amp brands have decided for you.
LerxstLee said:I do agree buying a nice mesa cab gives you only two speaker options, and to have no speakers installed makes little sense to pay the price.
Jacko123 said:Having an effects loop would be a great way this amp could have differentiated itself from other mini amps. How much would an effects loop add to the production cost of a unit like this. Just curious. It's still seems like a solid little amp.
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