I made some Clips with the newly recapped/modded Tri-2:90

The Boogie Board

Help Support The Boogie Board:

This site may earn a commission from merchant affiliate links, including eBay, Amazon, and others.

leadfootdriver

Well-known member
Joined
Jun 10, 2005
Messages
217
Reaction score
0
These were recorded pretty quietly, so you can hear the hum you get with the Deep and Modern switched in, but they still sound pretty good for low volume recordings. I recorded these with the Ibanez 7 with 707's.

Mark III Lead 2 Red
high gain, but still articulate. YOu don't get any white noise like a stomp box. Gains on 8.
http://home.comcast.net/~leadfootdriver/Mark%20III.wma

Mark IV Lead 2 Green
is bold but still cuts very well. Gains on 8.
http://home.comcast.net/~leadfootdriver/Mark%20IV.wma

Mark I Lead 1 Yellow
just like the Santana tone. Real fat. Gains on 7.
http://home.comcast.net/~leadfootdriver/Mark%20I%20Lead.wma

Vintage Orange Lead 1 Red
is fat like the Mark I , but it's more toothy with a ton of gain. Gains were only on 5 in this clip. Prolly sound great with a Les Paul.
http://home.comcast.net/~leadfootdriver/Vintage%20Orange.wma

Midgain Mark 2C+Lead 2 Yellow
Almost like EL34's in the midrange. Real glassy if you want it to be. Plenty articulate with dynamics. Gains on 5.
http://home.comcast.net/~leadfootdriver/Midgain%20Mark2CP.wma

Rhythm Green.
No shortage of highs or lows. Most dynamic but I didn't play it that way to keep a constant level for this recording.
http://home.comcast.net/~leadfootdriver/Bright%20Clean.wma

You can pretty much tweak the tone you want. This was just a demo of some different tones I was playing with. The Vintage and Midgain tones would be cool on Half Drive to really get some power clip into the sound. But I can't do that in an apartment. :D
 
Back
Top