Retu said:
So, I got my Mark IV compact combo and it sounds very good at low volumes, although I even use simulclass, pentode, full power . . . I don't even think that it is hard to find excellent tones from this amp . . . and I think this definetely sounds better than MicroCube.
Agreed! I guess I'll chime in here (even though I haven't yet played a Mark III). I just got my Mark IV rackmount head specifically for home recording, and I do all of my recording really late at night. And, yes, I'm amazed at how good it records and sounds at late-night volumes (by the way, the Rectos also sound great a low volumes). The best sound, IMO, is also harmonics on, pentode mode, full-power, everything pulled. With the amp maxed out this way, it sounds better than tweed at low volumes, IMO.
I also don't seem to have any problem finding tons of dialed-in sounds. This amp is really fun play around with, and I think it's the perfect recording amp. Plus, it does "teh br00talz," just about any way you like it. I read a number of negative comments about this amp before I bought it, and to me, the Mark IV combos did sound a little flat and boxey at the store. As a result, I was very tentative prior to my purchase.
But once you get this thing home, it's a whole different story. Have no doubts—this amp is everything it's cracked up to be. I can't think of anything bad to say about this amp. Although I do much prefer a head to a combo, and wasn't too impressed with the 1x12 C-90. But, accept no substitute—the Mark IV is the ****. It's not the only amp I'll ever own or want, but it's the funnest amp I've ever played, and certainly, as many others have said here, it's now my number one, go-to amp.