trem said:Listen to Van Halen I. That's the brown sound. Gosh, you must be very young to not know what that is, or am I very old? Back then it was the hottest thing since mini skirt.
But there is a difference between being just loud and having what I call a warm, brown sound -- which is a rich, toney sound.
xarkon said:Eddie used a Variac - a type of device used to control AC voltage - to turn down the AC input voltage to his Marshall. This causes the voltages from the power supply transformer taps to be lower, and hence the input causes clipping somewhat earlier.
(Using a Variac can also be a fast way to destroy your amp. Not recommended if you don't know what you are doing.)
Since a low-voltage condition on AC mains is commonly referred to as a "brownout" - and since those were common in Southern Cal due to high-load conditions - I'm assuming that is where the term "brown" sound came from. I've never heard it in connection with the drums before - interesting.
Dave
This thing deserves to be more popular than it is.srf399 said:Mind you the Dimarzio Breeds get that sound with just about anything.
boswell said:Eddie said:
But there is a difference between being just loud and having what I call a warm, brown sound -- which is a rich, toney sound.
in this interview www.vhlinks.com/pages/interviews/evh/gp0480.php
Chris McKinley said:We really gotta make sure that truly classic guitar tones like the brown sound, Clapton's woman tone, or even Angus & Malcolm Young's crunch don't get forgotten. These sounds, from every generation of rock n' roll, are why all of us are playing in the first place. Few people like everybody's guitar tone, but it's worth at least being familiar with the tones that have had the greatest influence on the sound of the electric guitar.
Chris McKinley said:Sure, to the extent that people want to emulate that sound or feel that it was influential. I would suggest that Kobain's influence had as much to do with the overall presentation of his band (attitude, look, lyrics, song arrangements) than his guitar sound, per se, or than even he himself. Kobain wasn't so much the influence as Nirvana as a whole was.
Still though, if someone were to disagree and feel that the guitar sound of Nirvana specifically was a significant influence, then by all means it should be kept as a familiar reference for what was undoubtedly the most important pop musical movement of the 1990's.
Chris McKinley said:Oh sure, it was funny, but I thought that in case I were still fighting some credibility issues with certain fanatical grunge fans on the board, I could show that, personal tastes aside, I could still be fair-minded when it comes to objective considerations.
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