bermuda_ said:I think it's safe to say that by even by having the gain knob on the amp at 12 o'clock regardless of how loud the master on the amp is turned up it's never going to give you enough gain saturation to play metal, I'e Metallica One would be a good example to use.
Heritage Softail said:bermuda_ said:I think it's safe to say that by even by having the gain knob on the amp at 12 o'clock regardless of how loud the master on the amp is turned up it's never going to give you enough gain saturation to play metal, I'e Metallica One would be a good example to use.
This is like when I bought a new Mustang GT, and took a big rock and put it between the bottom of the gas pedal and the floorboard. Then I got in the car and pushed the gas pedal down until it hit the rock, and that piece of crap car would not go fast, it just did not have enough power....
Yep, I totally agree with you. That amp will never have the gain saturation you need. Your brother is right, it sucks.
Heritage Softail said:This is like when I bought a new Mustang GT, and took a big rock and put it between the bottom of the gas pedal and the floorboard. Then I got in the car and pushed the gas pedal down until it hit the rock, and that piece of crap car would not go fast, it just did not have enough power....
Yep, I totally agree with you. That amp will never have the gain saturation you need. Your brother is right, it sucks.
bermuda_ said:I think it's safe to say that by even by having the gain knob on the amp at 12 o'clock regardless of how loud the master on the amp is turned up it's never going to give you enough gain saturation to play metal, I'e Metallica One would be a good example to use.
Ok dude.....i think you're confusing gain saturation and sustain. they are different.....IME the only way to get SUSTAIN from a recto is to crank the power section and get most of you're overdrive there BUT at best you're looking at master of puppet's type heaviness and having to run the mids pretty high(or it will sound like poo) IMO and stupid loud volume and in the bedroom a hotplate isn't going to cut it.bermuda_ said:The guitar I'm currently using is a schecter C1 Plus FR guitar, it has a mahogany wood body guitar, with Duncan Designed active pickups inserted in the guitars neck and bridge pickups, which in there own right are not ideal sounding pickups.
Also I know that people are still wondering why I haven't uploaded any clips of me playing my amp yet, I will try to upload some clips soon, But in order to do that I still have yet to buy a microphone, so that I can record the sound of my amp through it.
But anyway after experimenting today, with the EQ settings my amp, I have come to the conclusion that my amp only starts to sound good when the master volume is cranked above the 9 o'clock range, any lower that range and the amp sounds awfully thin sounding especially the gain, but having said that I think it's safe to say that by even by having the gain knob on the amp at 12 o'clock regardless of how loud the master on the amp is turned up it's never going to give you enough gain saturation to play metal, I'e Metallica One would be a good example to use.
bermuda_ said:The guitar I'm currently using is a schecter C1 Plus FR guitar, it has a mahogany wood body guitar, with Duncan Designed active pickups inserted in the guitars neck and bridge pickups, which in there own right are not ideal sounding pickups.
Also I know that people are still wondering why I haven't uploaded any clips of me playing my amp yet, I will try to upload some clips soon, But in order to do that I still have yet to buy a microphone, so that I can record the sound of my amp through it.
But anyway after experimenting today, with the EQ settings my amp, I have come to the conclusion that my amp only starts to sound good when the master volume is cranked above the 9 o'clock range, any lower that range and the amp sounds awfully thin sounding especially the gain, but having said that I think it's safe to say that by even by having the gain knob on the amp at 12 o'clock regardless of how loud the master on the amp is turned up it's never going to give you enough gain saturation to play metal, I'e Metallica One would be a good example to use.
KH Guitar Freak said:I wonder why you need that much gain anyway, unless you want to sound like Dimebag or something...
bermuda_ said:which knobs change the tone of your sound?
Why?...it's a legitimate question that IMO far too FEW guitarists are asking themselves and so they play a G minor chord and all the audience hears is a wall of mush.Soma said:from someone who had alot of trouble dialling in their Recto, I don't think this sort of comment helps.KH Guitar Freak said:I wonder why you need that much gain anyway, unless you want to sound like Dimebag or something...
I agree with you to a point.....BUT just because it sounds good to you doesn't mean that it sounds good to anyone else and let's not forget that we play music for other peoples enjoyment. it isn't just about what you want but a....comprimise really, of what you want you guitar to sound like AND the people EXPECT a guitar to sound like IMO.....the average person makes no distinction, if your guitar sounds like sh!t then that's exactly how they'll say your band sounds especially if it's guitar driven music....people want the same intelligabilty from a guitar as they expect from a singer.....they want to hear the notes not a wall of distorted mush in the key of g.Soma said:If it sounds good to someone with the gain dimed then by all means they should run it like that.[quote/]
No they shouldn't......at least not on a Recto.
Soma said:I think the best advice I've heard so far in these threads is forget everything everyone's said about where the knobs *should be* and just twist them until they *sound good*.
bermuda_ said:Maybe it could be the pickups I'm using?
Also one things that shocks me is that there's people out there that claim that you can get different tones out of your Recto, how are you supposed different tones out of your Recto I'e which knobs change the tone of your sound?
Cleekster said:Why?...it's a legitimate question that IMO far too FEW guitarists are asking themselves and so they play a G minor chord and all the audience hears is a wall of mush.Soma said:from someone who had alot of trouble dialling in their Recto, I don't think this sort of comment helps.KH Guitar Freak said:I wonder why you need that much gain anyway, unless you want to sound like Dimebag or something...
I agree with you to a point.....BUT just because it sounds good to you doesn't mean that it sounds good to anyone else and let's not forget that we play music for other peoples enjoyment. it isn't just about what you want but a....comprimise really, of what you want you guitar to sound like AND the people EXPECT a guitar to sound like IMO.....the average person makes no distinction, if your guitar sounds like sh!t then that's exactly how they'll say your band sounds especially if it's guitar driven music....people want the same intelligabilty from a guitar as they expect from a singer.....they want to hear the notes not a wall of distorted mush in the key of g.Soma said:If it sounds good to someone with the gain dimed then by all means they should run it like that.[quote/]
No they shouldn't......at least not on a Recto.
Soma said:I think the best advice I've heard so far in these threads is forget everything everyone's said about where the knobs *should be* and just twist them until they *sound good*.
Just my .02 cents
unless you want to sound like Dimebag or something...
bermuda_ said:which knobs change the tone of your sound?
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