[/quote]
Craig,
Would you mind providing how you thought that the bias kit added to your sound/tone or what you thought it was lacking before and you have now? The reason I ask is I have a Dual Rec I've been interested in doing this to but for $45 I'd like to hear what the difference is before I plunk down the cash. Better Cleans? A little brighter tone, more mids, more harmonic content to the notes, etc?
thanks,
Steve[/quote]
I can try. The amp had great punch and low end before the modification, but always seemed to lack crispness -- the highs were somewhat muted -- and I couldn't seem to dial in the gain and treble to get the balanced distorted tone that I was looking for. I went though a couple of years of experimenting with preamp tubes, which really improved things. Went through a few sets of 6L6s and decided to look into EL34s. I was able to pick up a quad of vintage Mullard xf2 EL34s at a good price. Because they weren't Mesa tubes, I was hesitant about using them without adjusting the bias. So after a bit of research, I learned that there was little risk to this, so I plugged them in and was impressed, but not blown away in comparison to the 6L6s. After a little more research, I ran across the Mesa bias discussion, and the mod kit and probe, ordered them, and installed the mod. I first tried the 6L6s. After proper bias, there was a very noticeable change in the tone. The highs were much more defined and bold. The distortion became more pronounced and focused, coming on with more intensity at a lower gain knob position. Low end remained strong with lots of depth and character. I liked the tone so much that I didn't have any desire to try the EL34s. The 6L6s were actually at the end of their life, and died within a few days (and the higher current that resulted from proper biasing the amp probably didn't help prolong their life). So, in went the EL34s, re-biased the amp. Now I was blown away by the EL34s. Like a different amp. Absolutely perfectly balanced distorted tone with finely detailed highs, rich mids, and that unmistakable Rectifier low end. Guitar harmonics became present that weren't significant before. Producing sounds from the guitar as a result of pick technique variations is easier. Clean tones are also wonderfully detailed, but I find that to keep the purity in the cleans, I have to roll off the gain more to avoid unintended breakup. Somehow the power section responds differently from the preamp signal. I think that overall a small amount of volume at the upper end of the range is sacrificed on the clean channels as a result. The opposite is true for the distorted channels -- once you go there the volume potential is incredible, as it should be with a Roadster. But I'm a classic metal type, so I'm more than delighted with a hotter overall amp setup. I'm looking forward to experimenting with non-mesa 6L6s one day soon (winged C's probably) but I'm really having a good time with the Mullards, and they seem to be very strong and stable for now. That's about the best that I can do to describe with words the sounds that we all seek, but that we know are impossible to describe with words. (lol)
Craig