mloiaco
Well-known member
I've been experimenting with my RK1 and my TS-808 lately, and I've found that I can get surprisingly tight-tracking, focused metal tones by putting my TS-808 in front of my RK under certain settings.
For the TS-808:
Tone = all the way up
Overdrive = none
Level = set so that the volume is the same with and without the TS engaged.
For the RK:
I've listed 3 settings at the bottom of this post. You can start with them, or dial in anything you want.
As you can see, I mainly use the TS just to push the tubes harder (a la SRV). Let me know how it sounds on your end.
By the way, I don't use any effects, but I keep the loop switch "engaged" so that I can use both the "output" and the "master" to shape my tone. I usually set the "output" pretty high to push the power section even harder (I love power-tube distortion), and then I bring up the channel master to taste.
A Mark-ish Setting:
Ch 4
Vintage
2x6L6+2xEL34
Silicone Diode
Presence: 9:30
Bass: 8:30
Mid: 9:15
Trebble: 2:30
Gain: 3:00
Both Open and Closed speakers on the RK 4x12 cab
Spongy
Pentode (for those with a Series 1)
Awesome Sizzle/Harmonics All Around (a la "Voices" by Dream Theater):
Ch 3
Vintage (this will give a different, but awesome tone using Raw, as well)
2x6L6+2xEL34
Tube rectification
Presence: 10:00
Bass: 10:30
Mid: 10:45
Trebble: 1:45
Gain: 3:15
Both Open and Closed speakers on the RK 4x12 cab
Spongy
Pentode (for those with a Series 1)
Bright Mark IIc+:
Ch 4
Vintage
2x6L6+2xEL34
silicone diode rectification
Presence: 8:00
Bass: 10:45
Mid: 8:55
Trebble: 3:45
Gain: 2:59
Both Open and Closed speakers on the RK 4x12 cab
Spongy
Try it out with both Triode and Pentode (for those with a Series 1)
For the TS-808:
Tone = all the way up
Overdrive = none
Level = set so that the volume is the same with and without the TS engaged.
For the RK:
I've listed 3 settings at the bottom of this post. You can start with them, or dial in anything you want.
As you can see, I mainly use the TS just to push the tubes harder (a la SRV). Let me know how it sounds on your end.
By the way, I don't use any effects, but I keep the loop switch "engaged" so that I can use both the "output" and the "master" to shape my tone. I usually set the "output" pretty high to push the power section even harder (I love power-tube distortion), and then I bring up the channel master to taste.
A Mark-ish Setting:
Ch 4
Vintage
2x6L6+2xEL34
Silicone Diode
Presence: 9:30
Bass: 8:30
Mid: 9:15
Trebble: 2:30
Gain: 3:00
Both Open and Closed speakers on the RK 4x12 cab
Spongy
Pentode (for those with a Series 1)
Awesome Sizzle/Harmonics All Around (a la "Voices" by Dream Theater):
Ch 3
Vintage (this will give a different, but awesome tone using Raw, as well)
2x6L6+2xEL34
Tube rectification
Presence: 10:00
Bass: 10:30
Mid: 10:45
Trebble: 1:45
Gain: 3:15
Both Open and Closed speakers on the RK 4x12 cab
Spongy
Pentode (for those with a Series 1)
Bright Mark IIc+:
Ch 4
Vintage
2x6L6+2xEL34
silicone diode rectification
Presence: 8:00
Bass: 10:45
Mid: 8:55
Trebble: 3:45
Gain: 2:59
Both Open and Closed speakers on the RK 4x12 cab
Spongy
Try it out with both Triode and Pentode (for those with a Series 1)