I'm sure if you're in an apartment or condo or close housing development,unless u have a dedicated sound proofed studio place it might be hard to turn up an amp.
Fortunately, I live in the country,and thankfully the bands I play in and the gigs I get ,I never hardly rarely ever have a problem of turning up.I like my boogies up to where theyre moving some air from the cabs.
Having said all that ties in why I preferred the 400 over the 295.The 400 has bigger iron, very close to what my iic+ and coli's have.The touch sensitivity, note articulation,and authority that the 400 has is imo, is only matched by the mighty vht 2150 and 2100.
Now,back in the day( when I bought this stuff ala late 80s) it wasn't a worn out discussion as it is today,which is that I knew after demoing both the 295 and 400 with the Quad at the store,I liked how the 400 delivered better. Just as simply as that .Back to late 80s':
So up comes the now worn out discussion of today from the then salesman. " save yourself some money,and weight ,plus nobodys gonna hear the difference between these two beasts.You dnt need that 400,why in the world would you want that? "
I was only a young 20s yr old then but I swore I could hear the difference let alone really " feel" the difference too.I distinctively remember looking at him and saying " Sir,it aint about the vol,its about the feel" later in years when I was rubbing shoulders with some major touring acts using the 400,the artists confirmed what I knew back then.....thats why I used the term regret...the 295 is no slouch,I used one for years,but what I wanted was the 400.