I assume my questions on these have been lost between the lines of my earlier posts:
When using 6L6s in all four power amp sockets how the sound and overall behaviour of the amp changes when using Triode and class A compared to Simulclass and Pentode. I hope this is all safe to try...that is one doubt why I have not tried these settings with 6L6s alone, did try with EL34 in outer sockets and did not really like.
Which settings are the best for MAX tube compression?
Fender amps with 2 x 6L6, do they run in class A or class A/B?
ADD: The manual says in class A mode just outer two power tubes work, simulclass has the inner tubes in parallel (or vice versa) with othe other pair. Does "parallel" engaging of inner power tubes make the amp to change from Class A to something else? This does not make sense to me!
Danke!
When using 6L6s in all four power amp sockets how the sound and overall behaviour of the amp changes when using Triode and class A compared to Simulclass and Pentode. I hope this is all safe to try...that is one doubt why I have not tried these settings with 6L6s alone, did try with EL34 in outer sockets and did not really like.
Which settings are the best for MAX tube compression?
Fender amps with 2 x 6L6, do they run in class A or class A/B?
ADD: The manual says in class A mode just outer two power tubes work, simulclass has the inner tubes in parallel (or vice versa) with othe other pair. Does "parallel" engaging of inner power tubes make the amp to change from Class A to something else? This does not make sense to me!
Danke!