I had the Lonestar Classic 50/100, and the Special.
Both were 1x12 combos.
I loved the tones on my LSS clean channel, but really just did not like the tones on the lead channel.
I tried every setting that I could find on the board, and I even tried the Reeder mods, which did make a difference, but the channel was still just too muddy for me.
I play a McCarty with Duncan Alnico II's in it. They are rich and buttery sounding and never get muddy, except with the Lonestars.
It really broke my heart to sell them, they are very beautiful amps.
The Reverb was astounding, but there is a glitch when changing channels. It basically cuts out for about 1 second. Now this would not even be noticeable with a drummer, but sitting in my music room it really pissed me off!
My Classic Combo had a Celestion Gold in it.
My Special Combo had a Celestion C-90 in it.
I now have a Maverick 1x12 combo. It is a very early model with the SUS-4 mounting system.
It has a Celestion C-90 speaker.
The cleans are not quite as wonderful as the Special's are, but they are right up there with my Twin Reverb. They are slightly more mid-range sounding than the Twin because of the different power tubes. But....they are nothing short of stellar.
All of my Fender freak buddies want one!
The Reverb is very deep and lush. Not quite as nice as the Special's though. That is where the Special excelled in my eyes! But....since I have a mod for everything, I will probably mod the Reverb in my Mav to sound a little more like the Special's. The thing that I like about the Maverick's Reverb though, is that it has a much more useable range than the Special. The Special's Reverb is almost over powering at times.
The distortion channel is more useable than the Special's was for me. I can get any type of tone out of it from just barely breaking up to Mountain, to any ZZ Top tone, to Joe Walsh, to Gary Moore. I did have to use a Maxon CP-101 to get the Gary Moore sustain until I souped it up just a bit.
There is a tiny drop in volume when changing from the dirty to the clean channel, but it is nowhere near the delay that the Lonestar had on the Reverb. In fact, I don't really notice it anymore.
And...Lastly, the Maverick is set up like the DC's. It has separate tubes for most of the gain stages of the dirty channel. This allows me to pick different tubes for each channel and even further dial it in! I love this! Too bad Mesa has strayed away from this design. It is brilliant!!!!!!!!
Plus.....you can almost buy 2 Mavericks for the price of one mint condition used Lonestar Special.
Just my 5 cents, hope it helps.