Well Sh!t. I wish I'd seen these more recent posts before yesterday.
Yesterday I went out looking to maybe purchase some new pickups and see if there were *any* Mark IVs available in Denver (even though I'd not be able to afford one for several months), and how much they might cost and ended up putting a down payment on a Nomad 100 and a 4x12 closed back cab. Yeah, 50w is going to be too much power, but I don't care. It isn't any more power than I have now with the Peavey VK112, and I discovered a most satisfying crunch on channel 2's modern mode with the Output at noon the gain somewhere between noon and 3 and the channel master somewhere around 10. Said crunch was even more satisfying through a 4x12 cab than the 1x12 C90. Personally, I didn't find it unbearably loud at all.
You hit the nail on the head there, sir. You're right. I do want good tone. I want a tone that makes me smile and go, "oooh". What inspires me to play are those various tones and riffs I hear in music which convey some idea or evoke some emotional response or are just downright cool. That's why I want to play. I want to create beautiful sounds of my own. But if all I am to play with is something that hinders or prevents that, then what the hell is the point of picking up the **** instrument to begin with?
I'll be honest. After my original experience with modeling (Guitar Rig 2 on my laptop w/ a PC Card SB Audigy), and the bad taste it left me with, I've not considered modeling to be worth giving the time of day. Some recent experience modeling amps has caused me to question that a bit (my guitar instructor got a cool tone with a Rolland Micro Cube and a wah pedal).
So fine, I've gone and made a mistake in committing to purchase a Mesa, and from what I've gathered from doing a few searches on these boards, the black sheep of the Mesa family to boot. I don't care, and I'm not backing out. Last time I waffled on buying a used Mesa whose tone I liked, someone else bought it, and I've since not heard another Rectifier with that delicious aggressiveness that old Rect-o-Verb had. I have my doubts I'll ever find that aggressiveness again. I'm not making the mistake of passing up a tone I like when it is in my means again. As cheap as that Nomad 100 was priced, I'm surprised it was still there. What's done is done, and I have no intention of regretting my decision.
It is not like the purchase of the Nomad 100 is going to prevent me from purchasing a good modeler. January's right around the corner and that means so is my tax refund. So I'll still be able to pick up a good modeling amp. And hell, I can probably sell my 50w Peavey to help fund it.
Yesterday I went out looking to maybe purchase some new pickups and see if there were *any* Mark IVs available in Denver (even though I'd not be able to afford one for several months), and how much they might cost and ended up putting a down payment on a Nomad 100 and a 4x12 closed back cab. Yeah, 50w is going to be too much power, but I don't care. It isn't any more power than I have now with the Peavey VK112, and I discovered a most satisfying crunch on channel 2's modern mode with the Output at noon the gain somewhere between noon and 3 and the channel master somewhere around 10. Said crunch was even more satisfying through a 4x12 cab than the 1x12 C90. Personally, I didn't find it unbearably loud at all.
alex1fly said:Your heart isn't set on a Mesa, your heart is set on getting good tone.
You hit the nail on the head there, sir. You're right. I do want good tone. I want a tone that makes me smile and go, "oooh". What inspires me to play are those various tones and riffs I hear in music which convey some idea or evoke some emotional response or are just downright cool. That's why I want to play. I want to create beautiful sounds of my own. But if all I am to play with is something that hinders or prevents that, then what the hell is the point of picking up the **** instrument to begin with?
I'll be honest. After my original experience with modeling (Guitar Rig 2 on my laptop w/ a PC Card SB Audigy), and the bad taste it left me with, I've not considered modeling to be worth giving the time of day. Some recent experience modeling amps has caused me to question that a bit (my guitar instructor got a cool tone with a Rolland Micro Cube and a wah pedal).
So fine, I've gone and made a mistake in committing to purchase a Mesa, and from what I've gathered from doing a few searches on these boards, the black sheep of the Mesa family to boot. I don't care, and I'm not backing out. Last time I waffled on buying a used Mesa whose tone I liked, someone else bought it, and I've since not heard another Rectifier with that delicious aggressiveness that old Rect-o-Verb had. I have my doubts I'll ever find that aggressiveness again. I'm not making the mistake of passing up a tone I like when it is in my means again. As cheap as that Nomad 100 was priced, I'm surprised it was still there. What's done is done, and I have no intention of regretting my decision.
It is not like the purchase of the Nomad 100 is going to prevent me from purchasing a good modeler. January's right around the corner and that means so is my tax refund. So I'll still be able to pick up a good modeling amp. And hell, I can probably sell my 50w Peavey to help fund it.