justin2354 said:
So your advice is to stay inside the same little box of playing that everyone else does and never expand into new ideas?
No. I don't think I said any such thing. I merely said that if you know BASIC music theory, the minor and major pentatonic scales, the major scale and all its modes, then you know everything you need to know to create music, solo, and write songs.
John Lennon, before he met Paul McCartney, was playing BANJO chords on his six string. That's all he knew. McCartney learned all the chords and theory he knew from listening to Buddy Holly records.
Basic music theory gives you all the colors you need on your pallette. Artistic talent allows you to create something with them. Knowing how to read gets you nowhere unless you are performing a set piece of music.
Why on earth would having all the colors available and the knowledge of how and when to use them force you to "stay within the same little box"?
Is Dylan still in his same little box?
Were the Beatles still making the same music in 1968 that they were playing in the Reeperbahn in 1960?
Does Keith Richard have the same level of comprehensive competence in his instrument and music theory background as the average Berklee College of Music graduate?
And as for staying in one box, I seriously doubt you could touch Robert Johnson, Son House, John Lee Hooker, or hundreds of other true bluesmen known and unknown even though you can read and they can't.
In fact, you could spend your entire life in that "little box" trying to match them and fail miserably. Because that little box turns out to be INFINITE in its possibilities.