timmerel said:
Tried a TC G System - sounds fine, but the metal case weighs a ton - nice shiny chrome, but too much hassle to lug around for the price.
Am thinking more seriously about the G Major suggested (they say it sounds the same, without the extra bells and whistles) - how difficult is it to set up the sort of footswitching which hal9000 uses?
Was also going to pick up a separate compressor to go in front of the amp. Already use a separate wah, and am happy with the overdrive in the amp. Think that covers everything?
timmerel, my MIDI switching via the FCB 1010 isn't complicated at all, but the programming interface on the controller is less than intuitive. Once you get used to the programming method it works perfectly well, and you can use your feet. If you're just looking to change patches with the FCB 1010, then you probably don't have to program anything since it will send program changes assigned to each switch per bank and defaults to MIDI channel #1. So, right out of the box the FCB will change patches on the G-Major (MIDI Omni or CH#1 receive). Things get a little more complicated when you want to use continuous controllers or control change messages which involves programming both the FCB and G-Major. Don't worry about it though since Dann'sTheMan and I can help you program it any way you'd like. Check this thread for a lot of G-Major/FCB info: http://acapella.harmony-central.com/forums/showthread.php?s=&threadid=975902&highlight=GMajor+setup
If you're curious how I've set mine up, this is how it breaks down:
1) All the channel switching on my amp is taken care of via a custom cable I built that goes from the G-Major to my Mesa F-100
2) I use eight [8] program change switches and two control change messages per bank, plus one expression pedal.
3) My bottom row of four program changes is Clean, Clean + delay, Channel 2 (2nd press for delay), Contour
4) Switch 5 is used for tap tempo all the time
5) The top left four switches are the same channel as the ones below, but setup for solos. For instance, my heavy solos are with the Contour channel, but with a bit of a mid hump, some light reverb and a bit of delay.
6) The last top switch is for tuner mute all the time.
7) I also have a bank that’s for turning on/off each effect parameter in case I feel like using the G-Major as a stomp box, or I need to make a quick change to a patch that I'm using. For example, if the place I'm playing in has bad acoustics, I might change to my stomp box bank and turn off the reverb.