Geiri
Well-known member
Thanks for the link
That's weird, when you typed "especially" it came out "excluding" for some reason. Ah well, blame it on the internet...giorikas81 said:Far more useable than the studio pre live or any other preamp excluding digital...
Danimal said:That's weird, when you typed "especially" it came out "excluding" for some reason. Ah well, blame it on the internet...giorikas81 said:Far more useable than the studio pre live or any other preamp excluding digital...
Me too. Of course, what I saw and heard with the Line 6, Digitech, and Vox were all impressive too. As with all digital gear, after a time the "sameness" of the digital sound sinks in and I'm scrambling for tubes again. And I know I'm not alone. And of course there is the missing "feel" of a 2D piece of gear trying to do what a 3D piece of gear is meant to do.straitouttahell said:what I've seen and heard so far is pretty impressive.
Is there an English translation of this somewhere? :?:giorikas81 said:That is only at his beginning. He perfects his tone every step. His live tone is great and he only uses a randall cab with two seventy/80's for monitoring. Maybe that is why you think "tubes win". They don't. He is a player and he sounds equally good now.
By the way the best metallica tone in history is axe fx post proccessed by any user. Digital wins. Any day...
And it shows.giorikas81 said:And it is all digital.
Danimal said:And it shows.giorikas81 said:And it is all digital.
No other clip I've heard was as focused and close to something like this
iceman said:No other clip I've heard was as focused and close to something like this
I think this triaxis clip nails it.
http://www.youtube.com/watch?v=R6KsE5NZupc
"Hopefully you can SEE the gear in the pics this time along with all the settings too. It still won't get you near this tone since I did a lot of post-EQ and compression in the mix, but it'll be in the ballpark."
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