Sick of crappy sound might sell my dual recto

[voodooamps]

I own a voodoo modified Marshall TSL, and I think it is worth it. I bought it directly from trace and it's my #1 amp with the Roadster being #2. I am just waiting to hear from trace that they will do a mod on the roadster to send it.

We have just recently chose to offer modifications for the Roadster. The Standard Modification is $395.00 and we are in the process of designing a custom output transformer for upgraded Deluxe Modification. Turn around time is 3-5 business.

Disclaimer: Let me preface this by saying we are not suggesting or implying that any exist however given the Road King, etc - Any factory defects/issues with any modern production amps will not be covered under the Voodoo Modification Warranty.


Have a great Monday morning!
Trace

 

[StratTone]

you need to do leads and rhythm or just rhythm? Rectos are really good for rhtyhm metal and that's about it...

I agree. They are great rhythm amps but that is about it.

 

[stompboxfreak72]

you need to do leads and rhythm or just rhythm? Rectos are really good for rhtyhm metal and that's about it...

I agree. They are great rhythm amps but that is about it.

I could not disagree more. It is difficult and you will need to invest in some pedals ( delay and overdrive for me ) but I love the lead tone I get. I honestly have not seen any other local musicians have success getting lead sounds with a DR but I have ( after much trial and error !) got it nailed.

Tungsol in V1, delay in loop, overdrive pedal ( sometimes 2 just for fun!) into DR or SR. It can be done.

 

[ToneAddictJon]

I see nothing wrong with modding an amp (even an expensive one) IF after a lot of time with it, it's almost perfect for you, but there's something missing or there's something particular more you want out of it. That being said, I'd never mod my DR, after spending plenty of time with it I have it sound as tight as my Mark IV, but with a more liquidy and smooth solo setting. I don't use a boost or anything in front, just plug my guitar straight in, have it on vintage on channel 3 and raw on channel 2 and will sometimes put a delay in the loop. Gain around noon, but my trick is master volume on about 3:00 through a Mesa 1x12 open back with EV in it. Best blues solo sounds I've ever gotten out of an amp, big and warm, up to the best hard rock tones- rhythm or solo. I admire what companies like voodoo do in changing a few things in an amp to make it perfect for some players, and if I got another DR I'd probably send it there to get modded to check out the differences and keep which one felt better for me.

 

[yohimbe2]

I agree. They are great rhythm amps but that is about it.[/quote]

I could not disagree more. It is difficult and you will need to invest in some pedals ( delay and overdrive for me ) but I love the lead tone I get. I honestly have not seen any other local musicians have success getting lead sounds with a DR but I have ( after much trial and error !) got it nailed.

Tungsol in V1, delay in loop, overdrive pedal ( sometimes 2 just for fun!) into DR or SR. It can be done.[/quote]



I see many people mention the use of a delay for improvements in sound. I recently purchased a Boss Delay pedal and am wondering if you can give me some tips on setup. It's great for old floyd effects, but I'm getting the feeling it can do more? (Boss DD-3) Are you using the pedal as a second reverd type effect?

 

[ToneAddictJon]

I wouldn't say a delay "improves" the sound, it helps fill things up as well as cover up slop. When I use a delay I usually have it set for 1-3 repeats at around 350ms and pretty low in volume, that way you hear it inbetween notes, but it's easy to muddy your sound with a delay as well. I think all effects should be used to accent your tone, not take it over, unless your going for some out there sounds to color and experiment.

 

[yohimbe2]

I wouldn't say a delay "improves" the sound, it helps fill things up as well as cover up slop. When I use a delay I usually have it set for 1-3 repeats at around 350ms and pretty low in volume, that way you hear it inbetween notes, but it's easy to muddy your sound with a delay as well. I think all effects should be used to accent your tone, not take it over, unless your going for some out there sounds to color and experiment.

Normally, I use only one thing in between my strat and the amp.

But recently, I lost my mind and puchased about 12 different old school and put together a pedal board. (most of the boss pedals, MXR phase 90 etc...) I'm trying to get nail the pink floyd another brick in the wall solo with a ROV 2. (I'm getting close)

I'll have to try the delay setting you mention. I'm guessing I am using it too strong. (sounds terrible)

 

[richt]

the pink floyd another brick in the wall solo...


If my memory serves me, that solo was recorded direct through 2 UREI 1176 Comp/Limiters to tape with a Les Paul Gold Top w/ P-90's One of the best solo's ever!

Cheers,

Richt

 

[ToneAddictJon]

And Gilmore just has that extremely "magical" touch. One of a kind phrasing right there.

 

[richt]

And Gilmore just has that extremely "magical" touch. One of a kind phrasing right there.

I read a good interview with him where he mentioned that his solo technique was to go and do 3 or 4 solos off the cuff and then he would listen to each and map out the best parts and assemble the solo by "playing" his favorite sections as they came up. The "Brick" solo sounds like it was done that way, the phrasing is great, but so unexpected in a couple of places. I'd love to hear the bits he didn't use!

Cheers,

Richt