Platypus said:I've got plenty of clips using my JJ EL34L's in the rigs/tones section and I'd be happy to cover any ground not in those tone wise.
hey, do you have any "metal" type tones posted?
Platypus said:I've got plenty of clips using my JJ EL34L's in the rigs/tones section and I'd be happy to cover any ground not in those tone wise.
turmoil said:Platypus said:I've got plenty of clips using my JJ EL34L's in the rigs/tones section and I'd be happy to cover any ground not in those tone wise.
hey, do you have any "metal" type tones posted?
turmoil said:wow, that sounds really, really good!!
what EL-34s would you recommend for me to try then, Platypus? Also, i'd like to swap my Rectifier tubes and maybe even my preamp tubes too.
If i switch to EL-34's and different rectifier/preamp tubes will i need to have my amp biased/setup by a tech or can i just swap the tubes myself and change the tube switch to EL-34 instead of 6L6 on the back of my rectifier?
turmoil said:that sounds great man, thanks for the info.
I'm currently using the Mesa 5U4GB recto tubes and i know people have said that the JJ GZ34's can give a much "tighter" sound which is what i like. I've also heard some people use the Tun Sol 12AX7s tubes. are they any better/different than JJ tubes?
turmoil said:ahh i see. well thanks for all the advice. i always hold onto my tubes so hopefully i can pick up a set of EL-34's soon as well as those other tubes.
what would be a good online store to get the tubes from?
ibanez4life SZ! said:Hey guys!
I have two quick clips just for those who want an idea of the tone....
I did both in 10 minutes, so mic placement is not perfect, not is my playing
But you guys get the idea!
This is channel 3 modern on both clips!
http://thatguitarkid.dmusic.com
oyster said:Thought you guys would be interested in seeing my setup.
I've experimented with probably every kind of tube that will go into my DR roadster and this is the combination I like best right now.
Anyhow here it is:
V1 12AX7
V2 ECC 832
V3 12AT7
V4 upward 12AX7
P1 MB EL34
P2 6V6
P3 6V6
P4 MB EL34
This combination works well to cut the gain and tame the buzz and when driven provides a tight, greasy, saturated tone and great feel.
Descriptions of tubes being used: from eurotubes
ECC83 S - 12AX7 “Factory description: Special grid plated by gold to reduce microphone interaction and noise. My observations: The ECC83S is great tube with a tight low end, a very natural and harmonically complex mid with VERY good definition and a sweet high end that is not brittle. These tubes have very low microphonics and are great in the gain stages of high gain amps like Marshalls, Meas's and Peaveys to name a few.”
ECC 832 “If your trying to cut the gain in your amps drive channel you might be interested in a hybrid tube I'm using in my Prosonic and 5150 to cut the gain, it's called the JJ ECC832 which is a 12DW7. This tube is half of an ECC83S ( 12AX7 ) and half of an ECC82 ( 12AU7 ). This actually sounds VERY nice in amps that cascade the gain through several preamp tubes. It cuts down the gain by about 40% but retains a nice crisp attack and warm tone where just dropping down to a 12AT7 seems to dull the tone a bit. The JJ ECC832 tubes are 10.00 each. I've got lots of players using the ECC832 in one or two of the gain stages in everything from the Mesa Triaxis to Peavey Triple X amps with great results.” “ECC832-12DW7 Factory description: Special grid plated by gold to reduce microphone interaction and noise.”
ECC81 / 12AT7 “Factory description: Special grid plated by gold to reduce microphone interaction and noise. My observation: Finally a good 12AT7! This tube has all the qualities of the JJ 12AX7’s. It’s very smooth in Hi-Fi and guitar amps. This tube will take the "Doink" out of your reverb too.”
EL34 Factory description: Gold plated control grid for improved fidelity.
My observation: This tube is as close to an NOS Mullard as you can get although I have to given mention to the Svetlana EL34. It’s very good but I like the way the JJ tubes break up better. They are very smooth and have the biggest low end of any current production EL34. I still prefer the JJ E34L for most applications simply because of it's extended low end and the fact that it's tighter and punchier.
6V6 “The JJ 6V6S's are a VERY nice 6V6 and sound stellar in any 6V6 amp. The JJ 6V6's are so robust that I have been using them in lots of amps including several of my Blackface Bassman amps and in my Mesa Dual Rec. By choosing the proper grade these can be run in the EL34 and have the best clean tone I've ever heard from my Dual Rec. They also have a deeper thump and breakup earlier than 6L6's do. I have over 100 customers now using the JJ 6V6's in their Fender Hotrod Deluxe and Deville amps with great success.”
oyster said:Thought you guys would be interested in seeing my setup.
I've experimented with probably every kind of tube that will go into my DR roadster and this is the combination I like best right now.
Anyhow here it is:
V1 12AX7
V2 ECC 832
V3 12AT7
V4 upward 12AX7
P1 MB EL34
P2 6V6
P3 6V6
P4 MB EL34
This combination works well to cut the gain and tame the buzz and when driven provides a tight, greasy, saturated tone and great feel.
Descriptions of tubes being used: from eurotubes
ECC83 S - 12AX7 “Factory description: Special grid plated by gold to reduce microphone interaction and noise. My observations: The ECC83S is great tube with a tight low end, a very natural and harmonically complex mid with VERY good definition and a sweet high end that is not brittle. These tubes have very low microphonics and are great in the gain stages of high gain amps like Marshalls, Meas's and Peaveys to name a few.”
ECC 832 “If your trying to cut the gain in your amps drive channel you might be interested in a hybrid tube I'm using in my Prosonic and 5150 to cut the gain, it's called the JJ ECC832 which is a 12DW7. This tube is half of an ECC83S ( 12AX7 ) and half of an ECC82 ( 12AU7 ). This actually sounds VERY nice in amps that cascade the gain through several preamp tubes. It cuts down the gain by about 40% but retains a nice crisp attack and warm tone where just dropping down to a 12AT7 seems to dull the tone a bit. The JJ ECC832 tubes are 10.00 each. I've got lots of players using the ECC832 in one or two of the gain stages in everything from the Mesa Triaxis to Peavey Triple X amps with great results.” “ECC832-12DW7 Factory description: Special grid plated by gold to reduce microphone interaction and noise.”
ECC81 / 12AT7 “Factory description: Special grid plated by gold to reduce microphone interaction and noise. My observation: Finally a good 12AT7! This tube has all the qualities of the JJ 12AX7’s. It’s very smooth in Hi-Fi and guitar amps. This tube will take the "Doink" out of your reverb too.”
EL34 Factory description: Gold plated control grid for improved fidelity.
My observation: This tube is as close to an NOS Mullard as you can get although I have to given mention to the Svetlana EL34. It’s very good but I like the way the JJ tubes break up better. They are very smooth and have the biggest low end of any current production EL34. I still prefer the JJ E34L for most applications simply because of it's extended low end and the fact that it's tighter and punchier.
6V6 “The JJ 6V6S's are a VERY nice 6V6 and sound stellar in any 6V6 amp. The JJ 6V6's are so robust that I have been using them in lots of amps including several of my Blackface Bassman amps and in my Mesa Dual Rec. By choosing the proper grade these can be run in the EL34 and have the best clean tone I've ever heard from my Dual Rec. They also have a deeper thump and breakup earlier than 6L6's do. I have over 100 customers now using the JJ 6V6's in their Fender Hotrod Deluxe and Deville amps with great success.”
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