So far... clean channel is the clean channel. That was the one thing I knew for certain I could make work for me. In-between positions on my Suhr Classic S's, in particular, work really well. I worried at first that the crystal clear cleans wouldn't be my thing, but these sound good... they're not Rockman cleans LOL! Just a little tweaking and away we go!
On a side note, now that I have this for myself, I may research four-cable method and midi control for the channels with my Fractal FM9. It has balanced outputs, so I can even ditch my Analogman buffer!
Channel 2, I set up initially on JP's specs and went from there. Didn't tweak a ton just yet, just fine tuning. The Mark sound is definitely in my favor here!!! It has a thick, almost layered sound, but doesn't overpower the characteristic of any guitar. My Suhr's all have different pickups... V70's, V60LP's, ML Standards, Thornbucker+'s, Woodsheds and the Hots in my Modern 7... which we'll get too later LOL! None of them were overpowered by the amp, which is frequently the case with the Shiva.
All of them shined in their own ways, which was a very pleasant surprise! The V70's had never sounded better!!! These are pickups that, in the Helios, would rip your ears off (they're in a roasted alder Classic S), but here... they sing. All the pickups shine and it feels like you can tweak to your heart's delight!
The Thornbucker+ can take all the gain the amp has and never loses its growl. This was when I realized how much JP's guitars were really tweaked for his wants and needs. His sound is darker and thicker, even with his settings. I did mess with the mid-mids a lot on the GEQ and found a good sweet spot, which was a whisker higher than JP's settings.
The Modern 7 with Suhr Hots, definitely that darker, thicker sound. Never loses definition, but a little dark for me at bedroom volume until I turned on shred mode. Didn't need it as I turned up the volume, but it made a gigantic difference. It really wasn't THAT dark without it, just different to me and made me thankful that all my guitars were different from one another. That was both the bridge and neck pickups on that guitar. Maybe I'll consider something less hot, but it's different than my "usual" sound and suits that guitar.
Channel 3 was set up for leads, gain cranked... and never lost clarity. I wouldn't use it as my rhythm sound, but man... glorious for leads! They sang with every guitar definitely set up for leads, not my rhythm sounds, but worked with every guitar.
My little Recto 1x12 may be a hair boxy, but also doesn't have a whole lot of hours on it. Certainly not compared to my Bogner. Do these change a ton after break-in? Are the 2x12's better suited?