I will say that the Mark VII is the pinnacle of achievement for the Mark series of amps. Even the Mark V90 falls into that category, more so with the power section than anything else. The 9 voices of the V are not all that great. Mark VII are much more aggressive. Also love the crunch and VII modes which are different from the norm. Similar in some ways to CH2 of the V but totally different as it repositions the lead drive circuit than just adds in an extra gain stage.
Sure, the BAD is similar but not the same. The preamp structure is more like the crunch and VII modes, but the tone stack and back end is completely different so that makes it sound more unique. The Badlander is one of my favorite amps which follows very close to the Royal Atlantic. Mark VII is hovering in the same plateau of excellence in many ways than just its sound quality. Dynamics are king with the three mentioned. Well, the Mark IIC+ Reissue is not exception. I am finding much of the same dynamic characteristics that I like. Also discovered that the IIC+ can be pushed into a nice drive at a bedroom level with plenty of preamp tube saturation. Nice, I can dial in a sonically driven sound with rich harmonics without blowing out my eardrums. That effect I found more difficult with the Mark VII to the point I am running both at 25W more than any other power mode. It gets really loud with two amps going at the same time. The Badlander also has that trick, juicy saturated preamp but at a bedroom level pushing the 100W power section. Still a strong sound but not overpowering. Just nudge the channel master and you will blow off the top of your head. Mark VII reminds me more of the Mark IV and the Mark III, it either just barely pushes any signal or it gets blasted to near max on a fraction of degree of rotation on the channel master.
I am warming up to the new addition of the IIC+ Reissue. At first, I did not like it, now I am hearing the tones and characteristics I was hoping for. Wondering what the peak output level is at 75W. The Mark VII will push 145W rms peak, same as the JP2C. Will have to pull out the attenuator and see where it stacks up.
I still stand on the Mark VII platform being a really good one for both studio or stage. All channels are very easy to dial and not very hard to find your dialed tone if you change it. The Mark VII brings in 7 unique modes to get familiar with, or bored with. Yeah, things will end up sounding the same after a while but yet it will take much longer to find it boring. JP2C is just one flavor of amp. Clean is just clean but you can trick it into a bit of dirt. CH2 and CH3 are the same thing, just representing a change on the Vol 1 dial. It is similar to the range of the IIC and IV modes of the Mark VII. Feel the VII on IV mode has more gain and saturation than the JP2C. Now for the Reissue. It is a bit of a dozer, some settings will plow through but seem to be more of a lump of sound. I have also found interesting changes between the numbers on the dials on the center line as the reference point. Makes it easier to gauge the control setting vs using the line or a dot on the control knob surface with a virtual clock reference. Sort of like the numbers on the knobs, brings me back to the III.
I guess the Mark IVB as well. We had just moved into this new home in NC back in 2010. Not much room but had an area in the small enclosed porch to use. Boxes of un-packed stuff filled the home and every other room. Went from a much larger home to a smaller one during the move but we managed. I am surprised the Carvin was not out. At this time, I had given up on playing and did not care if I sold all of the gear. I never expected to go back to the vintage Boogie design. If I remember correctly, the Mark III DRG sounded different compared to the new Reissue DRG IIC+. I think more so due to the power section as it is centered more for 6L6 tubes and not biased for a mix of EL34 and 6L6 tubes. Almost tempted to try but it is not necessary to do so. I did not hear much of a change on the Lark Guitars Demo at the end. Since that would void warranty, I will stick with the 6L6 but may mix up what pairs of 6L6 tubes I may end up using. Will keep it STR445 for now. May try the STR448 in the center for a bit more low end if needed.