18&Life
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those differences aloud your brain to recognize 2 differents takesof the same stuff.
That's stereo.
That's stereo.
guitarmaster said:Let's start with an example rhythm guitar track we've recorded. We used one Shure SM57 Microphone on the amp, so we recorded the track in mono
And the track looks like this
When this is played back the sound will come out of both speakers, and if you're positioned equidistant from the two speakers, it will appear to come from directly in front of you. But suppose that isn't what was desired. Suppose on the imaginary stage I'm creating (The Stereo Field) I want the guitar to appear a little toward the left. I can alter the Pan
And her guitar will be pushed towards the left, i.e. louder in the left speaker than the right speaker. When all the other tracks are added this can help to create the stereo cues that the brain needs.
Suppose rather than pushing the guitar slightly to the left, I wanted a wider sound, one that appeared to be coming from the Left and the Right, it's... you're going to say it! ...shush! It's not much more complicated. First we duplicate the track (Make sure the track is selected and then use the Duplicate Track MenuItem)
I also like to rename my tracks so I can easily tell which is which ("L" for Left and "R" for Right)
Now copy the region into the second track by Option-Dragging the guitar region into our new track (see: Moving Regions for tips on accurate region moving)
Now we add the panning
And we have ... Stereo!
ToneAddictJon said:Or, you can always copy and paste the first take to a new track, offset it by 7-25ms, eq it a little differently and you have instantly made what sounds like a new track with a single take. I still prefer recording 2 seperate takes, but if you don't feel like playing the same part again (say it took 35 tries to get it perfect :wink: ) then that's an easy alternative until you have the time or feel it's time for the 2nd track. I wouldn't pan them hard left and right, I'd put them 50% right and 50% left, that way there's a bit of bleed in the middle and it sounds fuller.
ToneAddictJon said:Or, you can always copy and paste the first take to a new track, offset it by 7-25msr.
18&Life said:ToneAddictJon said:Or, you can always copy and paste the first take to a new track, offset it by 7-25msr.
Doing that you will never have a stereo sound.
Just one guitar delayed .The second guitar will be always after the first one.
When you record two takes,the second guitar will be sometimes before,sometimes after tne fist one.This is stereo. :wink:
ToneAddictJon said:You can have a mono track and put a stereo flanger, chorus, delay, phaser, etc... and it will still be stereo. .
ToneAddictJon said:But, then your saying if you have 2 tracks panned it's stereo, so if you have a single track, copy and pasted to 2 seperate tracks and panned it's the same thing, and that was my point (i think, it's been a while and a page from the original point I was making :wink: ). 2 seperate recordings will always sound fuller and better (unless you can't play well and got lucky on one of them and other sounds like crap 8) ) than a single one spread out like that, but my point was you can always just do a single track, spread it out and add different fx or eq to each of them and you have the same effect of filling out the field. OK, I hope all this ranting and miscommunication helps the original poster Recording becomes as in depth as learning the instrument itself and there are so many different approaches to everything that there is no one right or wrong way, just different approaches.
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