+1, and why I think Mark IIs are the "best" sounding Marks.RR said:Thing I really like about the Mark IIB, you could play a Strat and it sounds like a Strat. Play a Les Paul and sounds like a Les Paul. Then the Mark III you could add so much gain, you would not know what guitar the guitar player is playing. Signal is all lost with preamp saturation. Not really a bad thing but not my cup of tea.
RR said:gonzo, dcgdc5, ... should have said "if your Mark IIB has reverb then ... => Mike B. mod ..." :wink:
I guess in both of your cases, you would not need this mod.
Yeah, I sure like the Mark IIB. I think the Mark III was competing with Marshall JCM800 which had a lot of preamp gain. Mark IIB was like a fat Fender with added overdrive. Thing I really like about the Mark IIB, you could play a Strat and it sounds like a Strat. Play a Les Paul and sounds like a Les Paul. Then the Mark III you could add so much gain, you would not know what guitar the guitar player is playing. Signal is all lost with preamp saturation. Not really a bad thing but not my cup of tea.
Yeah, but that's like the analogy what a music salesperson try to convince me of: 'Yes, these pickups are extremely HOT but if you roll off the (guitar) volume you could get a 'PAF' tone." :?Neptical said:RR said:gonzo, dcgdc5, ... should have said "if your Mark IIB has reverb then ... => Mike B. mod ..." :wink:
I guess in both of your cases, you would not need this mod.
Yeah, I sure like the Mark IIB. I think the Mark III was competing with Marshall JCM800 which had a lot of preamp gain. Mark IIB was like a fat Fender with added overdrive. Thing I really like about the Mark IIB, you could play a Strat and it sounds like a Strat. Play a Les Paul and sounds like a Les Paul. Then the Mark III you could add so much gain, you would not know what guitar the guitar player is playing. Signal is all lost with preamp saturation. Not really a bad thing but not my cup of tea.
IF you add the extra gain (vol/treble) in the III, then of course you could get pretty lost in preamp saturation...and even then distinguishing my Teles,Gretsch's,LP's,PRS etc I've plugged in are drastically noticeable. When rolling back the vol/treble on my III's, they clean up extremely nice reminding me of my old Fender combos. You can get nice and clean with them while still having some nice grit...good for Chet Atkins style finger and chickin' pickin'. Having the extra amount of gain on tap is only an additonal feature to take the amp straight to hell.
~Nep~
RR said:Yeah, but that's like the analogy what a music salesperson try to convince me of: 'Yes, these pickups are extremely HOT but if you roll off the (guitar) volume you could get a 'PAF' tone." :?Neptical said:RR said:gonzo, dcgdc5, ... should have said "if your Mark IIB has reverb then ... => Mike B. mod ..." :wink:
I guess in both of your cases, you would not need this mod.
Yeah, I sure like the Mark IIB. I think the Mark III was competing with Marshall JCM800 which had a lot of preamp gain. Mark IIB was like a fat Fender with added overdrive. Thing I really like about the Mark IIB, you could play a Strat and it sounds like a Strat. Play a Les Paul and sounds like a Les Paul. Then the Mark III you could add so much gain, you would not know what guitar the guitar player is playing. Signal is all lost with preamp saturation. Not really a bad thing but not my cup of tea.
IF you add the extra gain (vol/treble) in the III, then of course you could get pretty lost in preamp saturation...and even then distinguishing my Teles,Gretsch's,LP's,PRS etc I've plugged in are drastically noticeable. When rolling back the vol/treble on my III's, they clean up extremely nice reminding me of my old Fender combos. You can get nice and clean with them while still having some nice grit...good for Chet Atkins style finger and chickin' pickin'. Having the extra amount of gain on tap is only an additonal feature to take the amp straight to hell.
~Nep~
RR said:The Mark III has too much preamp gain than I like. Yes, if you took a poll on this forum, there will be an overwhelming majority prefer a Mark III over a Mark IIB because of the gain the Mark III has.
RR said:But my point is, the Mark III gain is too much for my liking, my opinion as well as dodger916 which is NOT the consensus of this board. My other buddy bought a Mark III and two month down the road he sold it because he said he can't get the tone like mine and my other buddies Mark IIA.
RR said:These two amps are completely different animals. That's my point. The Mark IIB is NOT a subset of Mark III. Just because you rolled down the guitar volume, you claim it cleans up like your old Fender(?). Silver Face or Black Face?
RR said:You did bring up "old Fender" and in a live setting I sure like to A/B a Black Face Fenders say Princeton Reverb, or Deluxe Reverb, or Super Reverb against your Mark III put them behind curtain and you demonstrate that the Mark III will clean up when as well as these amps when rolling off the guitar's volume.
RR said:Our ears must have a different threshold of a tone of an old Fender.
RR said:Neptical
I'm cool with you. Just thought it was going to be a TGP thread. :shock:
RR said:I see your point. I'm kind of a Fender guy (as well as vintage amp guy Marshall's JTM45 and Super Leads, Vox AC30 etc ... ) and I think the change from the Mark II to Mark III was fairly a giant jump. As you said if you roll down the Mark III's treble you could get a fairly Fender tone. I agree. Its that Mark I, II was more "Fender" (with more midrange and bigger x-former than Fender's) than today's Mark III, IV, Mark V.
RR said:By design, the Mark III's tone controls differ than Mark II's (I think) for versatility due to the higher preamp gain. Mark II stayed basically similar to Fenders with cascading preamp tube gain.didn't mean to jump on you. :wink: Yes, Mark Series does still have fender heritage.
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