Racerboy44 said:ytse_jam said:it depends on how you define "high gain"... talking about overdriven guitar in general I must say Marshall played a bigger role.Racerboy44 said:Mesa is the first to create "high gain". Marshall was not making "high gain" before Mesa. Marshall amps did have gain early on but nothing like what Mesa implemented.
Overdrive, or an "overdriven guitar" is not high gain. There is some room for debate here, but the general consensus is that a Marshall by itself does not produce "high gain". At least not until the JCM 900's came out. Before that you would need a pedal in front of the amp to get into metal territory. If you agree with that, then Mesa was the first company to make an amp that could get metal tones or "high gain" all by itself. I have owned JCM 800's, 900's, and several Mark's and Recto's. JCM 800's are not high gain in my opinion. They have gain, but nothing like what any Mesa can produce. Doesn't mean I don't like Marshalls, but it's just reality.
Agreed. Let's not make this a Marshall v Mesa thread ...that misses the point. The statement "high gain" could never, IMHO, be attributed to those 70s-80s dimed Marshall stacks. Those were "overdriven" without doubt, and brought a signature sound for that time, no question. But it was Randall Smith that ushered in a new *era* of amps: THIS was high gain as we know it, and started a revolution in amps. Like Boogies or not (and there are plenty out there that don't), Mesa changed the face of amp making. And it is this point that defines "respect" in the big picture of music gear.
Edward