LONESTAR1x12 said:
Zakk...why would you dial in a blues tone from the "high gain" channel??
...just wondering...I know what you're saying...but for my needs the amp was a 2 channel amp in a 3 channel package!!
Well, let me explain my reasoning: Blues/crunch type sounds is what I think the third channel is best at. So why not use it for low gain applications? I bought my nomad 45 2x12 combo, about 3 years ago and didn't really try it much before I purchased it. I was expecting the third channel to be the high gain channel, but I never really could get enough gain out of it to play metal. Plus, it was always sounded too thin to my ears as well. I could never get the high-gain sound I wanted out of it.
In comparison, the second channel is voiced a lot different from the 3rd channel. There is more of a bottom end, and I think it is more responsive to dynamics then the 3rd channel. The third channel, for some reason does sound a bit more compressed and buzzy than the second channel - and that is the second reason why I run it at low gain, since it responds to dynamics better (obviously, and is less buzzy) when at low gain.
So long story short, the 2nd channel suits me better for playing with heavy distortion than the 3rd channel does. It's nice and thick sounding. However, I am currently thinking about getting a new amp, something with a bit more gain. If I don't go with boogie, I might go with an Engl. I'd probably keep the nomad though, cause I like it for what it does.
Take care, Sorry about the long-winded response!
PS- how is your lonestar? I haven't played through one yet but I've heard nothing about good things about them!