talltxguy said:
Yep, the is the longest time I've owned any amp and not modded it. The DRIVE channel takes a bit of tweaking but is worth it when you find it.
I just feel the need to post positive vibes as many posts are criticisms or complaints.
I've got to agree, but I suspect that most people who don't get on with a Lonestar are likely searching for that more traditional Mesa super saturated hi-gain tones and my view is that that's not what this amp's vibe is all about.
When I first got my LSS 2x12, new, almost exactly 5 years and one month ago: after I got it home and ceased marvelling at the beautiful clean tones, I did kick it into Channel 2 and wound up the wick to see how high it could go in the gain department and, initially, I felt somewhat underwhelmed. I did try various things, like winding up the Treble and taming it on the power amp Presence, thereby "dumping" more top-end gain into the Middle and Bass tone controls... obviously the LSS with the EL84s has quite a different bass and low-mids response to big-*** 6L6s as per the LSC, but to my ear, higher levels of gain in Channel 2 always seemed to have something missing!
However, the lack of super-saturated hi-gain in the amp wasn't actually any kind of a problem to me because I have an abundance of gain and dirt options on my pedal board, so, I set the amp Channel 1 for sparkling, chiming, clean rhythm tones, and Channel 2 for moderate crunchy rhythms, and when I want soaring, molten lead tones, or aggressive overdriven riffing, I'll just kick in some extra dirt from the pedal board.
If I were a regular recording guitarist, which I'm not, then perhaps this would be some kind of limitation in the studio as the amp wouldn't, alone, cover all the possible necessary bases I'd need, but then again I have a TransAtlantic TA15 head for more Marshall-y/Mesa-y higher gain tones if I ever need it. I am however regularly playing and gigging with a blues/rock covers band, and for that the LSS is perfect: two great-sounding base rhythm sounds, which can be boosted or added to as required from my pedal board: it takes pedals brilliantly!
So, for my purposes, I actually can't think of a better sounding, more suitable amp that I've played through! I personally think the Lonestar is a work of pure genius! Any amp with cleans like that gets my vote, and once I'd worked out how Channel 2 works and how the controls respond (i.e. NOT like a Marshall with everything set to 10!), I realised I'd found the perfect match for me.