LEVEL4
Well-known member
At first I was disappointed with the lead channel of my new, used DC-3 (especially after demoing some Mark IVs recently). Got TungSols in the preamp stage and JJs in the power stage. Initially, recordings were boxey, flat, and lacked punch. Then I just recorded these settings with a large-diaphragm condensor mic, an AT3035, which is a fairly "bright" but flat mic.
GAIN: 10
PRESENCE: 10
TREBLE: 10
MID: 3
BASS: 2
GEQ: Classic 'V' except with 80Hz fader FLAT.
Gonna try double-miking the cab now, adding an SM57 right into the cone. I'm still Jonesing for a Mark IV head, but I'm thinking I'll just keep my little DC-3 head and throw it into a combo cab to take to friend's houses and stuff (and gigging, if I ever start to gig). The Mark IV (if I ever find one) will stay at home with my rack gear for recording.
Anyone else here playing metal using a DC-3?
GAIN: 10
PRESENCE: 10
TREBLE: 10
MID: 3
BASS: 2
GEQ: Classic 'V' except with 80Hz fader FLAT.
Gonna try double-miking the cab now, adding an SM57 right into the cone. I'm still Jonesing for a Mark IV head, but I'm thinking I'll just keep my little DC-3 head and throw it into a combo cab to take to friend's houses and stuff (and gigging, if I ever start to gig). The Mark IV (if I ever find one) will stay at home with my rack gear for recording.
Anyone else here playing metal using a DC-3?