4nkam
Well-known member
Yeah, in addition to the parametric EQ in the loop, they also used a few other amps at the same time for the dirty tones.
Sling Blade said:Anyone know his settings for Master of Puppets and And.....Justice for All?
FC Spoiler said:Familiar site :mrgreen:
Where did you find that link? (never seen that page)
Must say, I hear these settings every week (through a MK IV and MK III Blue stripe) and they're darn close 8)
Elpelotero said:and a marshall...there's always some sort of marshall in there in the background. The boogie is his main amp though. I think he used the Marshall less and less throughout the 90's and 2000's.
It looks like he pasted Frankenstein's monster's head over the "Roots" picture.soundpurist said:KoolAIDMan said:What the hell is that sticker on James' gear? :
Disturbing.
You're right man what the f...
4nkam said:Usually a couple of the Mesa heads with slightly different post EQ going on, the MP1 and sometimes the Studio (usually/sometimes mixed with the jc120 combo for cleans).
petejt said:4nkam said:Usually a couple of the Mesa heads with slightly different post EQ going on, the MP1 and sometimes the Studio (usually/sometimes mixed with the jc120 combo for cleans).
I thought the two other MarkIIC+ amp heads were used as backups?
Was the MP-1 used for distortion, or cleans? Or for both, since there actually were two MP-1's in the rig?
4nkam said:Somtimes they were, sometimes they weren't. There's not much info out there but from what I've read it sounds like things weren't set in stone.
petejt said:4nkam said:Somtimes they were, sometimes they weren't. There's not much info out there but from what I've read it sounds like things weren't set in stone.
Why were they all over the shop? Why was everything so erratic and not set in stone? It's crazy :shock: :? .
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