JT_Marshmallow
Well-known member
(These came from a few Studio Pre reviews on Harmony-central.com)
This guy wrote these two reviews in 2002:
Notice he said he was "deeply affected" by the Studio Pre. He's not alone. I've never tried a Quad, though I plan to someday own one. I'm not trying to make a "my preamp's better than yours" case here, but I just thought this guy had some interesting things to say.
And two other miscellaneous ones:
I've never heard anyone call an amp "the voice of god"...
Thoughts? :idea:
This guy wrote these two reviews in 2002:
Some misconceptions about the studio preamp and the quad preamp need to be aired: it is not true that this sp circut is in the quad. I got this straight from one of the guys who had a hand in the design and manufacture of the Studio Pre and according to him the Studio Pre was a blunder for the company! Why? According to my unnamed friend it was quote "the best lead circut they ever created" and sold it for less than any other amp so why buy any other Boogie? In other words it was TOO GOOD for the price point and that's why it was discontinued: it made their other amps look bad and cost less too.
This is the only boogie product with this exact circut. Even the combo versions that came before were not qutie the same
I purchased a quad thinking that I would get the legendary sounds of the studio pre and "then some more" for nearly the same price. This is not true. I had been deeply affected by the sounds of the studio pre and believed that the quad contained the same circut as the studio. In extensive A/B tests with my quad and two studio pres I and my tech as well as multiple listeners concluded that the quad did not measure up to the studio pre in both the clean and lead channels. Upon extensive research online and looking inside the two preamps I have chosen to discarded the quad and am now the happy owner of a studio pre. My previous assessments of the quad must be revised. It is an "okay" piece of equipment (perfectly fit for a metal man and thrashing about) but it certainly does not measure up to the stunning, breath-taking tones of the studio pre regardless of the price difference. It has taken years but discriminating tone meisters are now becoming aware that the zenith of classic boogie tone resides in the studio pre. Do not buy the quad in the vain attempt to capture the studio's greatness. It simply is not there. Although, the quad is still a better piece for the metallica crowd that relies on gain and one-dimensional pummeling more than subtle nuance, complexity, and textures of the studio preamp. Why do you think Walter Becker used the Studio Pre in the studio? Because it is the finest.
Notice he said he was "deeply affected" by the Studio Pre. He's not alone. I've never tried a Quad, though I plan to someday own one. I'm not trying to make a "my preamp's better than yours" case here, but I just thought this guy had some interesting things to say.
And two other miscellaneous ones:
This is where the stu pre shines. It simply is, really, no kidding, the best boogie sound machine ever. I owned a mk1, mk3, played a mk4 for a month, and have tried out the newer boogie models and nothing compares to the stu pre.
I got turned on to this amp from a friend in a classic rock band who called his "the voice of god". He owned two or three of them and said they were the greatest amps ever made and affordable at the same time. I would agree.
I've never heard anyone call an amp "the voice of god"...
I play a 1994 prs ce 24. My main point for posting this review is to give others who are looking for cleaner sounds out of this unit a couple tips. I wanted to reduce the gain, so I retubed the 3 main gain stages with nos rca tubes. I used 12at7's in the first two stages and a 12au7 in the lead drive gain stage. It has worked out beautifully for me. Now, the whole range of gain on the clean and dirty channels is usable for me. Someone who is looking for a little less gain reduction might make all three of them 12at7's. I'm getting some really good sounds out of this thing. Glad I bought it. While the recording outs sound pretty good, I disagree with some other reviews and feel that I wouldn't quite record direct with going through some sort power amp/speaker simulator.
Thoughts? :idea: