I'm assuming, of course, that we are limiting this to electric guitars. I started out playing a Gibson ES-330 (yes, it was a very nice first electric) and then an SG and a Les Paul and then moved onto Strats and Teles for about a decade.
I've played and/or owned some very nice examples from Gibson, Fender, Dean, Warmoth, Guild, Gretch, Brian Moore, Ibanez, Kramer, PRS and many others. I have also played absolute dogs from every one of those companies.
However, the one electric guitar that made me reevaluate tone and craftsmanship and what a great guitar could sound like was a Gibson Citation arch-top that my luthier happened to have in his shop several years ago. While he replaced the bridge and setup my ES-339 he let me play that thing for a couple of hours and I was ready to offer just about any price to own that guitar and I am by no means a jazz purist. However, the guitar belonged to another client of his who was a collector and not willing to sell.
Therefore, I have to vote for Gibson even though I will cite their solid-wood arch-tops rather than a Les Paul as the pinnacle of their work.
Wayne
I've played and/or owned some very nice examples from Gibson, Fender, Dean, Warmoth, Guild, Gretch, Brian Moore, Ibanez, Kramer, PRS and many others. I have also played absolute dogs from every one of those companies.
However, the one electric guitar that made me reevaluate tone and craftsmanship and what a great guitar could sound like was a Gibson Citation arch-top that my luthier happened to have in his shop several years ago. While he replaced the bridge and setup my ES-339 he let me play that thing for a couple of hours and I was ready to offer just about any price to own that guitar and I am by no means a jazz purist. However, the guitar belonged to another client of his who was a collector and not willing to sell.
Therefore, I have to vote for Gibson even though I will cite their solid-wood arch-tops rather than a Les Paul as the pinnacle of their work.
Wayne