I spent a little time today playing my LSC with a set of Shuguang EL34s instead of the stock 6L6's.
All of what you are about to read is subjective and my characterizations probably do not capture the differences in sound.
The basics:
- I played using the same settings in each case to start.
- I played the same set of songs and riffs on each
- I used the 2 channels and the drive
- I did not use the reverb
In general, the 6L6s have a taller high end. Not brighter, just more defined in both the channels. It is the character of chimey that a lot of people use to describe these tubes.
The 34s have a more organic high end. The same frequencies are there, I would call it broader with more depth than the 6L6. Maybe it is harmonics but I found the sound to be more full.
I found the clean channel differences to be very subtle but significant, if that makes sense. With the 34s I found the bridge position of my Les Paul to have a little more warmth mixed with the edge. The neck didn't exhibit as much difference in warmth and the middle had the open sound that I like. The 6L6s seemed a little more focused in all positions and as if there was less sonic randomness in the tone.
When driven the 34s have a slight edge to them and the organic sound is much more pronouned. The tubes seem to break up a little earlier at the same settings and when they break up they produce a more chaotic type of drive sound, but not out of control or flubby. It is the heritage sound of Marshall's.
When driven the 6L6 has a tighter more controlled drive sound. I now see why they are the foundation of the Mesa Rectifier sound for modern metal. It is a very unique sound.
Both respond nicely in channel 2 with the drive on. The character of both is more pronounced with the 34s developing more breadth along with the depth while the 6L6s extend their tighter drive sound. When I used the thick and thicker positions it added good and pleasing character to both tubes. The 34s probably got more from that switch.
The 34s seemed to play a little louder at the same settings, but that might be because of the bias switch.
If I had to give a general classification I would say that the 6L6's are a tight, more focused sound with a later stage breakup when driven. The EL34s have a greater breadth and organic nature to their sound.
I hope this helps. I've used the Shuguang tubes (new manufacture) in several amps and have found them to be great sounding tubes with a real nice balance and great overall tone. Read the review at tubestore.com.
All of what you are about to read is subjective and my characterizations probably do not capture the differences in sound.
The basics:
- I played using the same settings in each case to start.
- I played the same set of songs and riffs on each
- I used the 2 channels and the drive
- I did not use the reverb
In general, the 6L6s have a taller high end. Not brighter, just more defined in both the channels. It is the character of chimey that a lot of people use to describe these tubes.
The 34s have a more organic high end. The same frequencies are there, I would call it broader with more depth than the 6L6. Maybe it is harmonics but I found the sound to be more full.
I found the clean channel differences to be very subtle but significant, if that makes sense. With the 34s I found the bridge position of my Les Paul to have a little more warmth mixed with the edge. The neck didn't exhibit as much difference in warmth and the middle had the open sound that I like. The 6L6s seemed a little more focused in all positions and as if there was less sonic randomness in the tone.
When driven the 34s have a slight edge to them and the organic sound is much more pronouned. The tubes seem to break up a little earlier at the same settings and when they break up they produce a more chaotic type of drive sound, but not out of control or flubby. It is the heritage sound of Marshall's.
When driven the 6L6 has a tighter more controlled drive sound. I now see why they are the foundation of the Mesa Rectifier sound for modern metal. It is a very unique sound.
Both respond nicely in channel 2 with the drive on. The character of both is more pronounced with the 34s developing more breadth along with the depth while the 6L6s extend their tighter drive sound. When I used the thick and thicker positions it added good and pleasing character to both tubes. The 34s probably got more from that switch.
The 34s seemed to play a little louder at the same settings, but that might be because of the bias switch.
If I had to give a general classification I would say that the 6L6's are a tight, more focused sound with a later stage breakup when driven. The EL34s have a greater breadth and organic nature to their sound.
I hope this helps. I've used the Shuguang tubes (new manufacture) in several amps and have found them to be great sounding tubes with a real nice balance and great overall tone. Read the review at tubestore.com.