I've posted this before in the past, but what the heck, here is my "recipe" again. FWIW, it took me some time and lots of A/B-ing back and forth to determine what I really wanted. I suggest anyone doing tube experimentation do the same. And try this over a few days. Ears will "burn out" really quickly when exposed to volume and highs. Rest, and then come back with fresh ears to make sure you really are hearing what you thought you heard. My final recipe for my DC5:
V1: NOS Mullard 12ax7
V2: TungSol RI 12ax7
V3: TungSol RI 12ax7
V4: NOS RCA 5751
V5: NOS RCA 12at7
V6: NOS RCA 12at7
Power: Svetlana "Winged-C"
FWIW, I do not play any shred or metal, but am more classic rock, contemp pop, as well as contemp church music. What I love about my tone as you "see" it is, in the Clean Channel, lovely, chimey cleans with some hair around the edges (I am rarely ever spanky clean, but that is as easy as a turn of the knob...and sounds great, as well). The bootm is large and focused, never flubby. The mids are defined and clear. The highs smooth and glassy while never harsh or unpleasant (zero icepick). In Lead Channel, there is still huge gain on tap (should I venture into EVH's Pretty Woman, or a ZZTop-style mid-saturation thickness); or even punk-ish pop is there. Just great tonal range, better than with 12ax7s across the board, IMHO, and with far better indiv note definition. Not to mention highs that are much smoother and never sharp or "pointy."
If it sounds like I am pleased, it is because I am. And as I had mentioned, I went back and forth with a variety of tubes, and over some time, also ignoring what was printed on the tube (you'll notice I settled on both NOS tubes as well as current-production Re-issues, of which the Tung-Sols really score, IMHO). I really tried to "keep it honest" as far too many get "sold" on using NOS or the priciest ones for "the best tone" ...trust your ears. There was a time where I
thought I may sell my DC5 for a MkIV ...I will never make that mental blunder again!!
Oh, and as a side note FWIW, I have since gone to NOS Mullard CV4024 (which is a 12at7) in the PI slot and the V1 for my MKIII SimulClass. Similar net change: less OD saturation (while still
plenty left on tap), and in exchange a smoother overall tone (especially when clean), with better note definition across the board (especially in the Lead), and much nicer highs ...especially as a MkIII is a very bright amp (can take your head clean off!!) by nature. If you do one change, start with a good 12at7 in the PI slot; this one tube swap alone will have the single biggest effect on tone and dynamics. The other tubes are incremental differences. Hope this helps you some
Edward