SpiderWeb said:
I just purchased a Mesa Mark V 1x12 Combo; it was delivered yesterday afternoon. I have ventured into the world of electric guitars from the acoustic world just recently so I'm a newbie with all of this. I haven't owned an electric guitar amp since my Peavey Pacer back in the early eighties. I'm having some trouble with the initial set-up of the Mark V. I am in the process of reading the owner's manual. (which seems to skip some very basic stuff...) I guess I would say that I seem to be having trouble with volume. The "gain" knobs, the "master" knobs, the "output" and "solo" knobs have me confused with regard to regulating the sound and tone. The footswitch and the "hard bypass" switch in the back are adding to the confusion. I am getting sound but not the earsplitting volumes that I expected. I don't really want earsplitting volumes, I just want to make sure that everything is working. What I really want at the moment is some good distortion ("breakup" (?)) at low practice volumes. That's what I would like to be able to do. Please excuse my ignorance. I have been lurking around here for months and it is clear to me that you guys are on a whole different level than I am with the issues that I'm dealing with. I just thought it might be worthwhile to ask for a little help. Thanks!
You chose a beast of an amp as your first amp. The Mark V seems very daunting at first, but it's actually very simple. Some of this has already been said, but here's how I look at amps
Because your Mark V is a combo, you actually have three pieces of gear all in one box:
1) Preamp
2) Power amp
3) Speaker cabinet
Some people use rack gear which separates those three parts. When you see people referring to a Triaxis, Studio Pre, etc. they are referring to different preamps. When people talk about a 2:90, 20:20, etc. they are talking about power amps. Finally, Mesa makes a bunch of different cabinets for different sonic and aesthetic flavors.
The simplest way I can describe the three parts is that the preamp takes your guitar signal and imparts a certain tone on it, the power amp makes that tone loud enough to be heard, and the speaker points the sound in a particular direction. Yes, that's a very simplistic explanation, but it's really all you need to know. Also, as screamingdaisy said, the effects loop comes in between the preamp and power amp. Time-based effects (chorus, flanger, reverb, delay, etc) sound better after distortion, so most people elect to use an effects loop for those.
Your Mark V has multiple gain stages. A gain stage will add volume, and as was stated earlier, at a certain point that volume will overdrive the tubes, and we hear that as distortion. Starting in order of gain stages that you have control over:
1) The first gain stage is the Gain control on each channel. This basically determines not just how loud, but how clean or dirty the channel is.
2) Something that should be noted is that the Treble knob is very powerful, and as you turn it clockwise will also add some perceived gain.
3) The second true gain stage is the Master control on each channel. This determines the volume of the channel. If the effects loop is bypassed, this is the end. However, you have much more control over the amplifier with the effects loop activated.
4) With the loop active, your third gain stage is the effects loop send knob. Many people have thought they had a bad tube, when it was just that their effects send was turned down. Because it's on the back of the amp, it's easily forgotten. The ideal setting for this is between 12:00 and 1:00.
5) The fourth gain stage is the Output knob. This determines the overall volume of the amplifier. This way you can find an optimal balance for all 3 channels and then just leave those controls set as they are. It's a real hassle to have to adjust all 3 channels individually when you need to adjust your volume.
6) The final (optional) gain stage is the Solo knob. This is sometimes called a Boost control on other amps. Basically, it just boosts the total volume above and beyond what the Output knob is set to. If the Solo knob is fully counter-clockwise, when you press Solo on the footswitch, nothing will happen. The more you turn it clockwise, the more of a boost you will get. An important note is that the Solo knob does not have to be set higher than the Output knob, as that would give you a ridiculously loud volume, and really wouldn't be usable for practical purposes.
With all that said, you have 3 channels full of knobs and switches. The best thing to do is just pretend that you have 3 totally independent amplifiers in one box. When you think of it that way, it's actually really easy.
I know most of this has already been said, but when you're new to this stuff, it's better to have too much good information than not enough.
Welcome to the board, man!