AliensExist4 said:
samhill: I just talked to a Mesa Rep. He said basically what you said. I told him I played rock and heavier type stuff usually and he asked me if I usually switch settings on my amp or if I pick a setting a usually stick with it. I told him that I pick a setting and stick with it and he said I would probably like the 2:100 and the Rect. Recording Preamp. He said the 2:90 and Triaxis are more for versatility.
I'm still gonna try both but I have a question for you: What would be the pros both live and recording wise of me getting a 2:100 and the Rect. Recording Preamp over my 2 channel Trip. Rect. Head? Thanks
- Patrick
Pros:
..you can run stereo
..you can setup a switching system with a line mixer(this is a huge difference in sound quality when using FX like chorus, flange, reverb, etc. When using a line mixer you have complete control of your dry signal giving you higher fidelity. A singer would never plug his mic into an FX unit and then into the board..it would sound like ****, why do we as guitarists think that is ok? What happens in a pro studio...FX are added after the direct dry signal.
..it just sounds better to my ears anyway.
..with a separate system(preamp and poweramp) you can have proper noise reduction with something like an ISP Decimator ProRack G. With a head you need to get a serial FX loop to even get close but it would still be in mono.
Cons:
..eventually with a flight case, other racks, etc it will be a heavier lift.
..only 2 channels instead of 3. I have a 3+SE with 3 channels..how many do I use? Still just 2, I just turn my guitar back a bit for crunch.
..your friends and other guitarists will hate you because your sound is so much better than theirs.
..it'll sound so good that you'll never put the guitar down, which could lead to lost girlfriends, and sore fingers.
Mark