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I put mine in my V combo as well :) You did a much better job on your's than I did. Yeah, I'm not sure what mounting it in a VII combo would entail yet.

I'm glad to hear that you're having a good experience with it ❤️

...I have an EVM12L. I may have to try it out with the VII.

:oops: it must weigh a TON.

❤️ I'm loving catching up on this! I got busy. You're great.

For the Marks, I do, although I've been focusing on my rectos lately.

Moving "tremoverb" out of the sold section of my signature. I forgot how LOUD these are. I have a CaptorX box between the amp and the cabinet, so I flipped the attenuator to first reduction stage for the first time ever and it's much more manageable. I think I'm going to have to get the serial...

Hi Brandon, I think that pacing yourself is probably a good idea. You've been on fire since you started doing these! I think I mentioned in the comments section on one of your videos that these are going to be super useful to people for a long, long time. Thank you for doing all of these. -Daniel

I use one of these to control everything my foot switch control did on my road king ii, via midi, and just got one for my Mark V as well. They are awesome and should work really well with an ES-8 as well (I owned one a few years ago and it's a great unit)...

Definitely. The VII comes with casters and I put them on immediately. That said, the VII combo feels noticeably lighter than my V:90 combo.

(I love the size of the Mark VII combo)

Mine is definitely in the ‘all that’ category - I actually just replied to that effect in my “Bought a Mark VII” thread a few hours ago, along with a IIC+ mode clip.

So, this has completely become my main amp. This is the real deal. I put this short recording together last night, it's the VII in IIC+ mode, recorded via the cab clone/two notes interface

Wow, I haven't listened to this track in several years. The Electradyne goes SO HARD. I always knew that my TC-50 wasn't hitting as hard as the ED had, but wow, the different is huge. It was an incredibly brawny amplifier.

Bandit - one thing I've never been able to do with my TC-50 is get the kind of snarl I got from my Electrodyne. I'm interested to know if your pre-amp tube experiments might help me recapture some of this, especially the snarl in the chord around the 50 second mark:

The clean channel's gain control on the Mark I, II, III, and IV is called Volume 1. The higher it is, the dirtier the tone gets, but it also determines how much distortion is present on R2 (for the Mark III and Mark IV) and acts as a pre-gain stage for the lead channel, along with the lead drive...

(Yes, that was the Electra Dyne :) )

I pinged a few people at Mesa about the vintage amp settings baked into IIC+ and this is what they came back with: I'm guessing that the reference to being halfway on for the Volume 1 Pull Bright means that the circuit's influence has been toned down a bit? Not sure. Either way, I believe it...

Hey, Mesa Sean! I've got a flashback delay that I used for a bit with my VII and it sounded fine. I've used it in my Road King II as well. I'm not sure what is going on in your particular situation but I'm happy to chat sometime if it'd help.

I had an Electrodyne for about a year. The low gain sound was excellent. You could really push vintage high if you boosted it and basically dimed *everything*. The volume taper was ridiculous, though. Painfully loud amplifiers. The attenuators for the RAs made all kinds of sense. I made this...