I do things entirely differently. I like a really fat clean sound so I run my
Bass on 4 Pulled
Mids on 7 Pulled
Treble on 6
Pesence on 0
All this would make my Lead sound far to bassy and flabby so I set the EQ to kick in on the lead mode and pull a lot of 80, and a little 240. 750, and a fair amount of 2200 and 6600. I guess it looks a little like the Sydney Harbour Bridge. I find this compensation works well.
Because I use both my boogie rigs with an A3 and have the whole lot under midi control I also create a few A3 patches that have different EQ/FX/Volume settings to fine tune the above settings.
I don't understand why the R2 volume balance is such a problem for the guys with processors. Even a volume pedal in the FX loop would help.
I mainly use my boogie distortions for Santana, Carlton, Blues, or Fusion sounds, so the V shape is kinda useless to me.
If I want metal sounds I just use an A3 distortion or a Keeley Baked TS9.
Does anyone use R2 + L1 together?
Because of the midi setup (Mark III) I can get this combination plus an A3 patch to tweak it. It's a sound with a fair amount of midrange hump: I find it really sings and cuts through.
I do the same on my Quad preamp:
R1 Clean + R2 dirty
R2 Crunch + L1 dirty
L1 dirty + L2 screaming
and quite a few other combinations, most are not that useable but the 3 above work well.
Well that's my post for the year; see you next year.
Cheers
Bob