TS9 settings

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Dino.

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*DELETE*

I bought a TS9 today and figured out the best settings.
Gain -off
Tone - 12:00
Level - maxed


Sounds KILLER!
I don't know why Mesa doesn't just incorporate the TS circuit in their amps.
THIS is what a Mesa should sound like! :D
 
mate the ts9 is killer in front of any gain device, i see it like an eq device!
 
Dino. said:
*DELETE*

I bought a TS9 today and figured out the best settings.
Gain -off
Tone - 12:00
Level - maxed


Sounds KILLER!
I don't know why Mesa doesn't just incorporate the TS circuit in their amps...
They did the next best thing and made their own TS-type pedal. They call it the Grid Slammer. :wink:
 
KiwiJoe said:
They did the next best thing and made their own TS-type pedal. They call it the Grid Slammer. :wink:

That may be, but I still don't understand why there should be any need for an overdrive/boost pedal with a Rectifier. Why don't the gain controls on the amp allow the same tight response and help add sustain without the need of a TS-type pedal? And in reading through a lot of these threads, it appears that most Rectifier users recognize what the amp is lacking by adding these TS-type pedals. Mesa offering their own line of pedals really doesn't address the issue with the amp circuitry. As a matter of fact, I see it as an acknowledgement that their amps are truly lacking something. The gain control within the amps circuit is pretty much useless when set beyond 12:00-1:00, IMO.

I dunno ... I just find it odd.
 
KiwiJoe said:
They did the next best thing and made their own TS-type pedal. They call it the Grid Slammer. :wink:

Dino. said:
That may be, but I still don't understand why there should be any need for an overdrive/boost pedal with a Rectifier.
There isn't, at least for me and my Mini Rec. I can't say anything about what others find useful or not with Minis or the bigger Rectos.
Dino. said:
Why don't the gain controls on the amp allow the same tight response and help add sustain without the need of a TS-type pedal?
The Mini has way more gain/sustain on tap than I'll ever need. I think that the Minis are tighter than the big Rectos. I'm no amp guru, but I believe it has something to do with the SS rectifier and the EL84 power section.
Dino. said:
And in reading through a lot of these threads, it appears that most Rectifier users recognize what the amp is lacking by adding these TS-type pedals.
I think that's true for a lot of the guys using the big Rectos; I've read the same things. Again, I don't know how other people are using their amps, but I suspect that many are "scooping" a lot of mids out for the chugga-chugga, and then find themselves buried in the mix when it's time to solo; hence, a mid-boost pedal like a TS - nothing says "jumping out of the mix" like midrange. I've had a play around with a Dual Rec and I found it to be quite nice in the mids when EQ'd properly, leading me to believe that a lot of the complaints I read about Rectos are more "operator error" than any inherent deficiencies of the amp itself. Of course, that is just my "belief."
Dino. said:
Mesa offering their own line of pedals really doesn't address the issue with the amp circuitry. As a matter of fact, I see it as an acknowledgement that their amps are truly lacking something.
Well, considering that there are other Mesa amps than just the Rectos, I don't see that as a valid premise. It also assumes that Mesa made their pedals strictly for Mesa amp users. I have no idea what the breakdown is of people using Mesa pedals with Mesa amps vs. with other amps, but I'm sure that not everybody who has a Mesa pedal is using it with a Mesa amp.

I use the Grid Slammer as a sort of "third channel" with the Mini Rec. I use the "clean" setting so that with the guitar volume wide open there's a bit of hair/crunch yet clean when it's rolled back. The Grid Slammer is used as a "boost" for that clean channel setting, with pretty much the same settings you found appealing with the TS (full level, zero gain). I set the red channel "vintage" for my full-on lead tone. It's very close to an early Mark series Boogie in terms of being "liquid" and having a good amount of mid range punch and endless sustain. I get that with the gain at maybe 9-10 o'clock and the master at 2-3 o'clock.
Dino. said:
The gain control within the amps circuit is pretty much useless when set beyond 12:00-1:00, IMO.
I wouldn't know. For the kind of music I play and the sound I'm going for I can't fathom having the gain set that high on the red channel. I do run the gain that high on the Mini, on the clean channel where, in larger venues my favorite setting is on "clean" with the gain and master dimed; then I treat the amp just like an old NMV Marshall and just ride the guitar volume from clean to mean. Otherwise gain around noon-1 o'clock, master at 2 o'clock on clean.

Good luck in your quest.
 
KiwiJoe said:
Good luck in your quest.

My quest was over when I bought the TS9 pedal. :wink:
The issue I have with my Dual Recto has nothing to do with EQ or mids.
It has to do with the amount of usable gain in the amp's circuit.

I don't use the TS9 as a distortion pedal and when I think of the term "boost", I think volume.
And I certainly don't use the pedal as any sort of volume boost.
When using my choice settings (gain=0 / tone= 12:00 / level= max), the pedal just pushes the amp to where I'm able to achieve a more balanced, tighter gain.
This also lends increased sustain for leads that I could never achieve with the amp itself.
Having said that, the TS9 is by far the best investment I could have ever made.
 
After using a boost in front of my Dual Rectifier for over 6 years I pulled my OD808 out of my signal chain and really sat down one day and tweaked my settings. I no longer have any use for the OD808 in my Mesa rig now. Does the TS style drive reign in the amp? To a degree it does, but you can get the same effect with tweaking the amp's eq and rolling off the gain.

As far as sustain being added by a OD type pedal, it pales in comparison to using a compression pedal. One of these isn't a necessity either.

It was mentioned that a lot of guys might be playing a scooped eq'ed amp to chug the metal stuff. I play blackened death metal almost exclusively and in no way do I scoop the mids. If anything on my amp is scooped it is treble. My go to settings for rhythm are:
P:11:00
V:11:30-12:30
G:11:00-11:30(venue/humidity dependant)
B:1:00-2:00
M:2:00-3:00
T:10:30-11:30
Ch:3 Modern/Silicon/Bold

Lead channel is set the same but reverse the B and T and up the P to around 1:00 CH:2 Modern
 
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