zakkselvagem
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- Aug 14, 2011
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Has anybody also experienced that on channel 3?
I mean, I love the triode mode, and there is where I get the creamiest, silk and smoothest tones, specially on MkIIc+ when recording... and I only use ch3 for soloing..... but when playing live, it just doesn't stands out as the pentode ... I have to push the volume almost to max during a solo using triode while I can be heard perfectly around 1 o'clock if I'm on pentode. It is not a matter of volume, because I don't notice too much of a volume difference switching between triode/pentode, it's just how it really stands out the other instruments ...
My settings:
ch3 - 90w - eq "v" curve
gain - 3 o'clock
presence - 11 o'clock
treble - 1 o'clock
mid - 11 o'clock
bass - 9 o'clock
BOSS DD-3 in the loop
cab is a recto 2x12 with v30s
has anybody ever A/B this triode/pentode live?
Thanks!
I mean, I love the triode mode, and there is where I get the creamiest, silk and smoothest tones, specially on MkIIc+ when recording... and I only use ch3 for soloing..... but when playing live, it just doesn't stands out as the pentode ... I have to push the volume almost to max during a solo using triode while I can be heard perfectly around 1 o'clock if I'm on pentode. It is not a matter of volume, because I don't notice too much of a volume difference switching between triode/pentode, it's just how it really stands out the other instruments ...
My settings:
ch3 - 90w - eq "v" curve
gain - 3 o'clock
presence - 11 o'clock
treble - 1 o'clock
mid - 11 o'clock
bass - 9 o'clock
BOSS DD-3 in the loop
cab is a recto 2x12 with v30s
has anybody ever A/B this triode/pentode live?
Thanks!