eudaimonia02912
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I got a matched quad today, and just now got a chance to play for an extended period. (I posted something in another thread earlier after 10 minutes on play.)
These tubes are clear winners, though they do have some cons that I will describe below.
Compared to the stock Mesa 6L6s, the sound is fuller, thicker, but smoother, and yet just as clear. If you think your Mark V can be a bit bright and brittle, this will fix that. JJ EL34s smooth the top end and add some fullness, but the SEDs do this even more, will also adding bottom end and remaining clear. (The JJs are a touch muddy.) EL34s typically have less bass than 6L6s, in my experience, and from what I've heard from others. But these SEDs do not seem to be missing any bottom end. On the contrary, they make the amp sound heavier.
I found myself feeling truly inspired by the tone for the first time in a few weeks. I was doing all sorts of crazy Nuno and Via licks on channels 2 and 3. I find that my notes on the high frets sound thicker and fuller, even if I continue to use the bridge pickup. (I general switch to my neck pickup as soon as I get over the 12th fret.)
To give you an idea of the smoothness: I ended up moving the presence up on each channel after installing these (over the JJ EL34s I had in temporarily). I also found that I could now crank the treble on channel 2, crunch mode, for maximum Marshall-style gain, but without making the sound too brittle.
The downsides: compared to the JJ EL34s I had (but not to the stock Mesa 6L6s), these are definitely noisier. The JJs were very quiet. I got to turn my ISP decimator down after switching to the JJs. When I put the SEDs back in, I had to turn it back up, though I still have it lower than when I was using the Mesa 6L6s. The other downside is that I noticed that there's now a faint hum when channel 3 is in triode mode. (Someone else reported this as well on his amp, though he was using stock tubes.) The hum does not get louder with volume, master, or gain, and it is only noticeable in a quiet room if you are near the amp. Switching to pentode eliminates the hum.
These tubes are clear winners, though they do have some cons that I will describe below.
Compared to the stock Mesa 6L6s, the sound is fuller, thicker, but smoother, and yet just as clear. If you think your Mark V can be a bit bright and brittle, this will fix that. JJ EL34s smooth the top end and add some fullness, but the SEDs do this even more, will also adding bottom end and remaining clear. (The JJs are a touch muddy.) EL34s typically have less bass than 6L6s, in my experience, and from what I've heard from others. But these SEDs do not seem to be missing any bottom end. On the contrary, they make the amp sound heavier.
I found myself feeling truly inspired by the tone for the first time in a few weeks. I was doing all sorts of crazy Nuno and Via licks on channels 2 and 3. I find that my notes on the high frets sound thicker and fuller, even if I continue to use the bridge pickup. (I general switch to my neck pickup as soon as I get over the 12th fret.)
To give you an idea of the smoothness: I ended up moving the presence up on each channel after installing these (over the JJ EL34s I had in temporarily). I also found that I could now crank the treble on channel 2, crunch mode, for maximum Marshall-style gain, but without making the sound too brittle.
The downsides: compared to the JJ EL34s I had (but not to the stock Mesa 6L6s), these are definitely noisier. The JJs were very quiet. I got to turn my ISP decimator down after switching to the JJs. When I put the SEDs back in, I had to turn it back up, though I still have it lower than when I was using the Mesa 6L6s. The other downside is that I noticed that there's now a faint hum when channel 3 is in triode mode. (Someone else reported this as well on his amp, though he was using stock tubes.) The hum does not get louder with volume, master, or gain, and it is only noticeable in a quiet room if you are near the amp. Switching to pentode eliminates the hum.