fdesalvo
Well-known member
I've spent a few hours with this head during rehearsal and am pretty disappointed. I should've noted Mesa's Master settings on their demos, because at those same settings, I'm crushing my drummer and the rest of the guys. Even "soaked" this amp in it's spweet spot is louder than we play at all but our outdoor shows.
Another issue I have are the modes on the Vintage channel. There is hardly any distinguishable change in actual gain between the two, meaning I can't set up LO mode to have a nice edge of breakup tone and then switch to a searing lead tone on HI. With the gain rolled around 3:00 on HI, there are massive microphonics. While I do appreciate the thicker tone of HI, it's not enough to make me want to keep this head.
The clean on this amp is VERY forward and aggressive. It responds so fast to pick attack that it's almost ahead of you. There are no subtle dynamics to be had with this channel without it being cranked and soaked beyond stage levels. It is a really nice clean - better than my Splawn QR, but not near the MKIV.
I can't bring myself to use a pedal with this amp and I'm sure I went in with the wrong expectations, namely expecting it to behave as a 3 channel amp, which it doesn't. My main motivation for getting this amp was to have something that could do a crystal clean, impressive gritty crunch, and a chewy lead tone. My Splawn does lead like no other, but the cleans are very dull and lifeless. Neither will it do crunch with any authority.
At the end of (my) day, the RA-100 does one thing pretty well and another thing ok. The cleans are ok. The LO channel is where this amp shines - it can be creamy or edgy, which is nice. You just cant have your cake and eat it, too. If you plan on leaning on the soak feature, plan on buying power tubes every couple months (according to the manual). I can't gig an amp set to fail with the tones I need.
YMMV, but I wanted to offer a contrast to what I've seen. Like many, I've scoured the net for weeks when I caught wind of this amp. Sadly, I enjoyed my Stiletto II a bit more than this one and below that the MKIV.
Another issue I have are the modes on the Vintage channel. There is hardly any distinguishable change in actual gain between the two, meaning I can't set up LO mode to have a nice edge of breakup tone and then switch to a searing lead tone on HI. With the gain rolled around 3:00 on HI, there are massive microphonics. While I do appreciate the thicker tone of HI, it's not enough to make me want to keep this head.
The clean on this amp is VERY forward and aggressive. It responds so fast to pick attack that it's almost ahead of you. There are no subtle dynamics to be had with this channel without it being cranked and soaked beyond stage levels. It is a really nice clean - better than my Splawn QR, but not near the MKIV.
I can't bring myself to use a pedal with this amp and I'm sure I went in with the wrong expectations, namely expecting it to behave as a 3 channel amp, which it doesn't. My main motivation for getting this amp was to have something that could do a crystal clean, impressive gritty crunch, and a chewy lead tone. My Splawn does lead like no other, but the cleans are very dull and lifeless. Neither will it do crunch with any authority.
At the end of (my) day, the RA-100 does one thing pretty well and another thing ok. The cleans are ok. The LO channel is where this amp shines - it can be creamy or edgy, which is nice. You just cant have your cake and eat it, too. If you plan on leaning on the soak feature, plan on buying power tubes every couple months (according to the manual). I can't gig an amp set to fail with the tones I need.
YMMV, but I wanted to offer a contrast to what I've seen. Like many, I've scoured the net for weeks when I caught wind of this amp. Sadly, I enjoyed my Stiletto II a bit more than this one and below that the MKIV.