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Let's have a little contest: Who's got the biggest pedal board!

First prize: The Mark IIC+ Hetfield played on Masters of puppets (I found it in a trash can)

Second prize: A brand new Mark IIC+ (They started production again, because all the other amps suck)

Third prize: A broken Mark IIC+ (the only good Mark IIC+ is a dead Mark IIC+)

:lol:

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Clean Channel:
Boss DM-2 Analog Delay

R2 Channel (That's for complex chords):
Mark III Reverb

Lead Channel with Mark III EQ (That's for riffs and power chords):
Boss DC-3 Digital Dimension
Boss HF-2 Hiband Flanger
Boss HR-2 Harmonist
Boss SD-1 Super Over Drive

Lead Channel without Mark III EQ (That's for solos)
Boss CE-2 Chorus
Boss DD-5 Digital Delay
Jim Dunlop Cry Baby 535Q


Boss RC-2 Loop Station and Boss NS-2 Noise Suppressor are available for all channels and that Octave pedal is broken and is a tempo pedal for Digital Delay and Loop Station. So I only switch the custom made channel switch to change the channels. I want less drive for solos than for riffs and power chords. That's why I connected Super Over Drive for Lead Channel with Mark III EQ. My Mark III Modifications are explained in vintage forum.
 
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In the effects loop of my Mark IV head are A Boss DD-6 delay for short delays, DD-7 delay for longer delays, and the CH-1 Super Chorus. The DD-6 and CH-1 are always on for my clean tone on R1.

In front of the amp are my Boss TU-2 tuner, NS-2 noise suppressor, and my Ernie Ball wah. Sometimes the NS-2 get swapped out for my ISP Decimator, and the Ernie Ball wah gets swapped out for my Dunlop Zakk Wylde wah, but this is the current set up for now.
 

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