Ok. I took the NOS plunge.

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fluff191

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I just bought 3 NOS JAN GE 12ax7's for $60. Hope they sound ok. From what info I could find, they seem to be an ok sounding tube. I know they are no NOS Mullard, but I think this will be a good first baby step into the NOS world.

Wish me luck. :lol:
 
fluff191 said:
I know they are no NOS Mullard
Don't believe the hype. Mullards are good tubes, but they're no better than any of the other decent old-production brands, including GE. They sound different, that's all - better in some amps, not as good in others. Personally I prefer the GEs I've got in my Mesa amp to the Mullards I've tried in it - although I prefer the Mullards in Marshalls, it's horses for courses. You did just fine getting a very good tube that simply isn't as hyped as another very good tube and so costs a fraction as much - you could say the same about a dozen other brands too.
 
Like said above, Ive had some that didnt work to well in my rectos but most of the NOS ive bought have killed.
 
Hey can anyone tell me what the ratings are? I have seen both sides rated in a 3 digit format and a 4 digit format. Whats the difference? I have commonly seen "110/115" and then one of the GE's I just bought are rated "3400/3400". Is that a high gain or strong tube or what? And is the scale relative to the machine it's being tested on? Seems that way.

I see "Tested on my blah blah, 1200 is the minimum" or "3000 is rated new"

Edit: Nevermind. Seems the tube tester 'scores' that people give out are really of no relevance, since there is no 'minimum' or 'max', and thats on a machine that has been calibrated. Huh.
 
Yeah they dont mean **** to me. Different machines, different cal etc etc etc
 
Cant wait to hear about your thoughts on these tubes in your dual...after hearing about JJs being a bit darker for Rectifers. id love to start experimenting.
Where do you find these said NOS or more "botique" tubes.
 
I was actually just browsing around on eBay for "JAN 12ax7". The auction had been up for maybe 5 minutes when I came across it.
 
Fluff,

If those GE's are longplates (17mm) give one a go in the Tone Stack ( V3 ). That's my fav tube for that position in my Roadster.

For your next NOS/VOS hunt I highly recommend a strong RFT 12AX7. These are great in V2. Some like them in V1 but I felt it made the amp too loose.

And you can't go wrong with an RCA in your box either.

Good luck.

Dom
 
Thanks DOM! I only got a chance to open one box up and it was a short plate. I am pretty sure the others ones are as well.

I will start hunting for an RCA!
 
fluff191 said:
Thanks DOM! I only got a chance to open one box up and it was a short plate. I am pretty sure the others ones are as well.

I will start hunting for an RCA!
Cool man, be sure to try all three as they will all have a different character to them, even if they are from the same batch/lot. Don't forget about the RFT. They really are a great sounding tube. Also the Matsushita 12AX7 is a good buy as well. I've heard it referred to as a poor mans Mullard, but I don't think it has the same mid range character. The Matsushita is my fav PI tube. I also liked the Seimens 12AX7 shortplates & the 1950's Sylvania 12AX7 Long Black Plate in V2, but those ended up in my MKV (with another RFT in V1 of the MKV).

Right now I'm running the following, and have been for about a year now. It took a lot of tube rolling to come up with what works for me in my rig:

V1-Mullard 12AX7
V2-RFT ECC83
V3-GE 12AX7A 17mm Longplate
V4 (reverb)-Mullard CV2004
V5 (loop)-RCA 12AX7A
V6 (PI)-Sovtek 12AX7LPS (I'm saving the Mats for the studio).

Have fun with it!

Dom
 
Quick question about the NOS tubes in the cathode follower positions (V3 in this case). Is that OK to do? I assume the robust American tube can handle the voltages?
 
Yes. All NOS 12AX7s are fine as cathode followers because they correctly meet the design spec for the type, and which the amp designers (Leo Fender mainly, since the amps that use this configuration are mostly descendants of the '59 Bassman circuit) took account of when developing them.

The problem with the Russian tubes is that they simply aren't made properly to the spec. (So technically, they should not even be called 12AX7s...)

Just for reference, you can't use *any* 12AT7s or 12AY7s in these positions either, even NOS ones - they are specified for a lower cathode voltage rating (90V as opposed to 250V - the cathode followers operate at around 200V).
 
Let us know what difference you hear in your amp


I certainly love my NOS tubes in my TR. Oh don't forget get NOS tubes for your rectifiers once the smoke settings in with your pres.
 
Ok so I have been playing with all 3 NOS tubes all afternoon and trying them with other tubes in different positions, etc.

What I got is 2 NOS JAN GE tubes and 1 NOS regular GE.

Right off the bat, I am simply shocked at how QUIET these things are. With the amp cranked on Channel 3 and the guitar unplugged, all I hear is just the hiss of the gain. Typically, hearing some kid of very faint noise or pop or rolling static would be expected with ant new production tube with as much gain as I dial in.

Secondly, I am very surprised at how even and dimensional these are. I swap tubes quite a bit, due to modern tubes always boosting a particular frequency or cut another or are generally hollow feeling. These tubes are not bass, treble or mid heavy. I really feel like I am actually hearing my amp for what it is. Very round and warm. Almost like you are playing inside an old log cabin or something.

The final tube set up I settled on (for the time being) is:

V1 - JAN GE
V2 - JAN GE
V3 - Mesa Chinese
V4 - Low Gain Russian
V5 - NOS GE

Tubes are EH 6L6 with GZ34 rectifier tubes.



cradlefish said:
Oh don't forget get NOS tubes for your rectifiers once the smoke settings in with your pres.

Does that matter too? I didnt think a tube that just converts power would have any effect on the tone. Tell me more!
 
fluff191 said:
cradlefish said:
Oh don't forget get NOS tubes for your rectifiers once the smoke settings in with your pres.

Does that matter too? I didnt think a tube that just converts power would have any effect on the tone. Tell me more!

The NOS GE 5AR4 will have a bit less sag than the Shuguang version. Some like Shuguang better. I've used both in my Heartbreaker. The GE is more durable, and the tone is more consistent. The Shuguang is reliable for many hours, but will fail without warning causing the mains fuse to blow. Happened to me more than once in the last 10 years.
 
fluff191 said:
Ok so I have been playing with all 3 NOS tubes all afternoon and trying them with other tubes in different positions, etc.

What I got is 2 NOS JAN GE tubes and 1 NOS regular GE.

Right off the bat, I am simply shocked at how QUIET these things are. With the amp cranked on Channel 3 and the guitar unplugged, all I hear is just the hiss of the gain. Typically, hearing some kid of very faint noise or pop or rolling static would be expected with ant new production tube with as much gain as I dial in.

Secondly, I am very surprised at how even and dimensional these are. I swap tubes quite a bit, due to modern tubes always boosting a particular frequency or cut another or are generally hollow feeling. These tubes are not bass, treble or mid heavy. I really feel like I am actually hearing my amp for what it is. Very round and warm. Almost like you are playing inside an old log cabin or something.

The final tube set up I settled on (for the time being) is:

V1 - JAN GE
V2 - JAN GE
V3 - Mesa Chinese
V4 - Low Gain Russian
V5 - NOS GE

Tubes are EH 6L6 with GZ34 rectifier tubes.



cradlefish said:
Oh don't forget get NOS tubes for your rectifiers once the smoke settings in with your pres.

Does that matter too? I didnt think a tube that just converts power would have any effect on the tone. Tell me more!


Yes it does. It won't be a prominent as your preamp but you certainly will notice the difference. I agree with Thunda that yes from my experienced there is less sag and more vintage sounding more like taking another blanket off the sounding coming from your cab. I have Zenith but are made from RCA and a GE. I certainly like the feel of it better than that stock 5u4g's.
 
fluff191 said:
Right off the bat, I am simply shocked at how QUIET these things are. With the amp cranked on Channel 3 and the guitar unplugged, all I hear is just the hiss of the gain. Typically, hearing some kid of very faint noise or pop or rolling static would be expected with ant new production tube with as much gain as I dial in.

Secondly, I am very surprised at how even and dimensional these are. I swap tubes quite a bit, due to modern tubes always boosting a particular frequency or cut another or are generally hollow feeling. These tubes are not bass, treble or mid heavy. I really feel like I am actually hearing my amp for what it is. Very round and warm. Almost like you are playing inside an old log cabin or something.
There you go... straight away you can hear the *quality* in those old tubes, before you even get into the nuances of the different tones of one type vs. another.

I've always thought that it's not so much that NOS tubes sound "good", it's that new-production ones sound bad - they all sound muddy, fuzzy, indistinct, harsh or noisy to one extent or another... simply because they are less well made. It's like the difference between a plywood acoustic guitar and a solid wood one.

Sometimes I think it's a good thing that more people try it and hear the difference (because it is real, obvious and not just 'cork sniffing'), and sometimes I think it's a bad thing because it will only increase demand and drive up prices! :). No, not really.... it's all good. The only sad thing is that no matter the demand or how expensive the old ones get, it's highly unlikely that any new production tubes will reach the quality of those old ones ever again - the strict cost-no-object development and quality control that happened when they were state of the art electronics for the military, aviation and industry (audio was just a spin-off) will never come back.

I didnt think a tube that just converts power would have any effect on the tone. Tell me more!
You would think not, wouldn't you? Well it does...! I have to admit to not being 100% certain of the exact reason that it is audible, but you *can* hear it. (I know about the different voltage drop and non-linear forward resistance characteristics, but those still don't really explain why it is as audible as it is.)

NOS rectifiers are also *far* more reliable than any new-production ones - a high proportion of the failures I've come across in many modern tube amps are nothing more than blown Sovtek, JJ or Chinese rectifier tubes - and considering that they don't cost much (if any, for a lot of types, really apart from Mullard GZ34s) more, there's no point in not using them.

Power tubes are where it becomes tricky. NOS ones do make a big difference to the tone - and also the punch and presence, the difference is very audible even in a stage mix where people who haven't tried it think it won't be (in my experience, it's even *more* so than at low volume) - and in many cases the outright power output... but the supply is getting short and they are getting very expensive for most of the good types, and need very thorough testing because a failure can cause amp damage. Worse, many guitar amps run them outside even the original correct design spec, so even properly-tested ones can fail. But even as expensive as they are, they also last several times longer than new tubes so the long-term cost may still not be any higher (yet).
 

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