benjamin801
Well-known member
So, this is kind of a newer development for me: from the time I first started buying serious guitar gear until now, all my amp choices have been fairly metal-approved; even if I didn't happen to be playing heavy music on them at the moment, it was always gear where I could if I wanted to. Rectos. Marks. An ENGL Fireball. And the same with speakers and cabs: a lot of V30s, G1275s, high-power Emis, and lots of oversized, closed-back or sealed cabs.
So, this is quite different for me: a Speakertone 2x12" with a Weber Blue Dog and a Weber Silver Bell. I'm totally digging it. A few observations, in bullet points since I'm too lazy to write more paragraphs:
- Great build quality on this thing. The back (convertible for open or closed) is ply, as is the baffle, and the rest is pine, with dadoed, finger jointed corners. The cool thing is that there are almost no screws grabbing wood directly anywhere on this cab. In fact, almost no wood screws at all; every (machine) screw goes into a threaded metal sleeve.
- All the familiar corksniffer tone terms apply here: chimey, warm, rich, three-dimensional, blah blah blah I hate myself. :lol:
- I brought it to band practice last night, and it sounded amazing with my Mark III. Bright, in a good, non-harsh way. Very punchy and "forward" sounding, especially compared with my co-guitarist's Fryette 100/CL and matching cab, which bring a lot of dry low-end grunt. I think this is going to become my main cab for this band.
- We're playing two shows this Saturday, both of which will be professionally filmed for Comcast on Demand, so once we get the footage back, I'll post clips unless I played like crap. :lol:
So, this is quite different for me: a Speakertone 2x12" with a Weber Blue Dog and a Weber Silver Bell. I'm totally digging it. A few observations, in bullet points since I'm too lazy to write more paragraphs:
- Great build quality on this thing. The back (convertible for open or closed) is ply, as is the baffle, and the rest is pine, with dadoed, finger jointed corners. The cool thing is that there are almost no screws grabbing wood directly anywhere on this cab. In fact, almost no wood screws at all; every (machine) screw goes into a threaded metal sleeve.
- All the familiar corksniffer tone terms apply here: chimey, warm, rich, three-dimensional, blah blah blah I hate myself. :lol:
- I brought it to band practice last night, and it sounded amazing with my Mark III. Bright, in a good, non-harsh way. Very punchy and "forward" sounding, especially compared with my co-guitarist's Fryette 100/CL and matching cab, which bring a lot of dry low-end grunt. I think this is going to become my main cab for this band.
- We're playing two shows this Saturday, both of which will be professionally filmed for Comcast on Demand, so once we get the footage back, I'll post clips unless I played like crap. :lol: