HelpingFriendly said:
I was wondering if anyone has experimented with different values on the cathode caps on the mark 3? I've read that it is a pretty popular mod on mark ii's to lower the uf some to reduce unnecessary bass in the first stage. I feel I could benefit from a small reduction in bass on my purple stripe. Which cap makes the most sense for this? (cathode). I have done some other mods with great success and was hoping to make this one my last. I tried reducing with the bass knob but I feel that it looses it's punch. Same with the GEQ. Any input on this mod is greatly appreciated. Thanks
This is like a "What is your favorite ice cream" question.
Regardless of what value you choose, your ears will have to cope with the effect down the signal chain.
My thoughts are to first install some terminal or test points so you can swap out 50 caps if you want and not lift the
pads on the circuit board, I hate working on MK III's because of this.
So, the positive. You can listen to everything from .22, .47, .68, 1uf, 2.2uf, 3.3uf and 5uf to whatever and be sure that the results
are what you want to hear. I would start at 10uf and see how low you can go without making the lead channel a buzz saw. 15uf passes
a fair amount of lows but it really is what makes that circuit sing. The original caps are 6V tantalum, but you can use just about any type of cap construction but tantalum were chosen for there smooth quality. When I prototype circuits I use a decade, or multi-pole switch with multiple caps on and run through the different values in different situations, volumes, rooms and settings until I am positive that
value is what I really want. If I really like two, I make them switchable and keep them.