So I just played a VII at GC last weekend! Had a chance to check one out while I was in the city to tide me over while I wait for the one that I ordered. I was playing through an LTD and into a (new stiff) Mesa 212 Recto cab so things I’m familiar with. First thoughts!!
The cleans, like all Marks, are good but nothing that would make me sell a good Fender.
Like the Baby Fives, Crunch is very cool and usable. I dig it. I think my Treble Dump trick might work here too like it did on my Five 35.
VII mode is cool and I agree, different from any other Mark tone. Also I agree it would probably kill for rhythm when boosted, so long as you are OK with low mids. It may hide in a mix a bit. All that being said, NO, it does not push air like a Recto and personally I wouldn’t consider it a replacement.
IIB mode is great! Captures the essence of the vintage amps. I still think the IIB is a better classic rock amp than the C+ and this channel really adds to the amp’s versatility. It’s by far the most raw and open channel on the amp which is super fun to play even at low gain!
IIC+ mode is the BEST version of this since the OG. If you really want the C+ sound and can’t afford an original, this will totally get the job done where the V and JP versions simply do not. Not to say they’re bad tones (well the V is lackluster), just that they can’t fill a real C+ void. Internet warriors can yell all they want, talk to any guy who has owned both at the same time and they’ll all say the same.
IV mode May give the OG a run for its money, I’ll know soon! It’s a great, super clanky and tight AF tone. Even if it doesn’t turn out to be quite as good as the OG first blush I’d call it a legit replacement.
Yes I would say that the VII has a good helping of the raw, chewy, 3D feels of the originals. The notes have great bloom & jump off the speaker at you. This is a place where the V and the JP fell unfortunately short and to me are much more 2D. All that being said, the VII is not as organic as the OGs- it still has the more modern processed sound of the modern Marks. It’s still a net win on tone and feel though, and would be the only modern Mark that I’d want to keep in my stable. For playing live I think the VII would be a no brainer.
To draw a comparison I’d say the VII vs. an OG is on par with the quality of the MultiWatt compared to its closest cousin the Rev F. Both very close but just slightly more processed than the OG. Close enough that only the real cork sniffers (takes one to know one) will sweat the difference.