Monsta-Tone said:Over the last 10 years, I have had two Mark IVA's and two IVB's.
I always loved the clean channel of both versions, but wanted more of a Fender clean.
I always loved the lead channel of both versions.
I always hated R2, although I seem to remember that R2 on the A version had a little more crunch. I never found anything interesting with this channel other than being able to cover Stones songs.
I always hated how sensitive the IV was to everything. I would leave the amp plugged in and set up. All settings, cables, guitars, FX, everything....would be exactly the same as the night before, but sometimes it would just sound completely different!
I've owned just about every Mesa amp they have released, with the exceptions of many of the new models and the IIC+.
I have a V head at my house that a good friend has loaned to me for a few weeks. I will be using it with my band today for the 2nd time. My friend really wants me to buy the amp. I am still on the fence because I just got a Rivera Fandango.
I love channel 2! The Mark I mode with the gain high has the most wonderful controlled feedback and touch sensitivity and note clarity while still sounding "Vintage."
I have not found my setting for channel 1 yet. I'm sure it's in there. I've owned a few Lonestars (both the Classic and the Special) and loved the cleans on them.
I have not bonded at all with channel 3 yet. It is much brighter than I remember my IV's being. I call it the "Metallica Channel." All I seem to be able to get out of it is Metallica tone. I'm not looking for that. The V lead channel seems to be much more focused and smooth to me than the IV was. I really miss the raw aggression that I had with my old IVA! It was percussive like a Blue Strip III but more refined.....
I am running it with the treble and presence almost all the way down just to dial out the brightness......
This really is annoying me because it kills all of the gain and harmonics!
So....If I get the amp, I will most likely mod channel 3 to get more of a IV type rawness and aggression. I know this is subjective, and the flamers/haters will have a field day with that statement, but I don't care.
I think it all has to do with how a person is running the IV's lead channel. I do not think the V, in it's stock form can achieve the settings/tones that I used to get with my IV because of a few things.
1. The lack of the "Lead Gain" pot - The Gain on the V is not located directly after the tone stack like it is on the IV. The Gain on the V is the pot that used to be called, "Lead Drive" on the IV.
2. The lack of all of the push/pull functions - The V has the pull function of the Treble (on the IV) in the circuit all the time. This boosts upper mids and trebles. I never ran my IV with the treble pulled.
EDIT: I just found this great Killswitch Engage tone that another BB member posted. Might have to give these settings a try at practice today!
All that being said, I will gladly stop using my Rivera as amp #1 the second I find this sound in the V! I think the improvements made to R2, Clean and the reverb circuit are wonderful! I am not trying to "Hate" on the V in any way.
:mrgreen: Hope the V is not as sensitive to voltage differences........... :mrgreen:
I had similar opinions when I first got the V. There was absolutely no treble control or presence function on CH3 in the IV mode. Presence does nothing in Extreme setting. Turns out the power tubes (even though they were new with the amp) were on the way to self destruction. HF oscillation (above audible frequency) resulted in red plate overload. The super brightness was not just limited to CH3. Burning out the stock power tubes did me a favor, reason to re-tube the amp. Now I actually love the MKV over the MKIV.
As for #2 above, are you referring to the pull switch on the presence control (phase shift)? The treble pot on my MKIV(b) does not pull out. The only pull knobs on the Mark IV that I have experienced are; all three gains, LEAD drive, and two of the presence controls (ch2 and lead) and the Master volume pull for silent recording. As for the LEAD Drive control, I believe that was stated in this thread (may be else where). The Mark V CH3 circuit is configured to be similar to a 7.5 setting on the LEAD Drive control. If you need more punch, do not use the loop (keep it in hard bypass). I have been able to regain that tone with the loop active (master volume needs to be set at 12 o'clock). The only changes I made to the head were tubes. I also made a mod to the 412 cab (v30 to EVM12LBL). I could have opted for C90's instead.