highroller
Well-known member
When using time delay or modulation effects with distortion, some says that if you want to preserve clarity of power-tube saturation, these effects must go after *all* types of distortions, so basically, the delay must be ideally positioned after the mic, in the console fx-loop.
Maybe this as more to do with vintage amps that need to be cranked to max to get a full distortion (e.g. Marshall) rather than more modern cascaded gain amps like the Mesa Mark IV which use a large amount of preamp saturation to get is distortion sound rather than its power section.
I which I could use time delay effect in my fx-loop without loosing definition and clarity so I assume that if I use medium grade power tubes and a full power/Pentode/Simul-Class/ setting, my power stage will be less prone to saturate.
I'm not sure how I can tell if the power tubes of my Mark IV remain clean when I use an heavy distortion ?
Any tips ?
Thanks
Dom
Maybe this as more to do with vintage amps that need to be cranked to max to get a full distortion (e.g. Marshall) rather than more modern cascaded gain amps like the Mesa Mark IV which use a large amount of preamp saturation to get is distortion sound rather than its power section.
I which I could use time delay effect in my fx-loop without loosing definition and clarity so I assume that if I use medium grade power tubes and a full power/Pentode/Simul-Class/ setting, my power stage will be less prone to saturate.
I'm not sure how I can tell if the power tubes of my Mark IV remain clean when I use an heavy distortion ?
Any tips ?
Thanks
Dom