Pearce117 said:
I ask because I'm selling my TriAxis/2:90 rig and going smaller so I can be more mobile. I've never played on a
VH4,
Wizard modern classic,
IIC+,
MK IV,
or Krank Krankinstin+
Them things are just to high in price for where I live. I really fear a leap of faith on a $2,000 to $6,000 amp I've never played. I've herd guys that have the Mark IV, And the Mark V say the IV has more articulacy and has a better Eq and voice to it than the 5. The IIC+ is the killer for me. It seems so in your face but I use active pickups and all that so I don't know it that would make it sound less like the IIC+... I'm at a loss on what I want. I like tight in your face thick tone with tons of attack. I'm not a fan of high mid's or pointy treble. I guess I'm looking in the $2,500 range as my MAX. My wife would kill me if she even knew I wanted to go that high.. lol :shock:
OK, so you're asking us which amp we say you should buy. If you asked me which High Gain head was the most legendary and then you asked me which one I would recommend for you, I'd give you a different answer for each question.
I'd take 'legendary' to mean that the amp is iconic in some way. There is something that distinguishes it to be somehow more worthy of recognition. It is very hard to say which is the BEST amp because that really depends on what a player wants. In my opinion, Legendary amps are ones that inspire and enable musicians. Basically, the first company to come up with high gain tone revolutionized how guitar was played and simultaneously ushered in new styles of music. THAT is legendary. Also, if an amp is heard on tonnes of records, THAT is ALSO legendary. Yes Peavey and Soldano beat Mesa to the modern tone bandwagon but it was ultimately the Dual Rectifier which is basically THE sound of the 90s and the beginning of the millenium.
If you want to know what high gain heads sound the heaviest, this is a totally different discussion. Personally, I think the player is what makes the amp sound heavy! Guitars, pickups and speakers / speaker cabs also both have a huge impact on tone in addition to having a sick amplifier.
There are many more high gain heads than I can even possibly list, and these all are great. I guess the trick is to find what you like. When I was checking out ENGLs, for instance, I found them to sound dull, woofy, and growly. The Dual Rectifiers just had more mids and 'soul' to the tone, not to mention great cleans as well. But ya, there are those out there who totally disagree with me.
I personally would opine that the Mark IVB / Mark V are possibly the best metal amps out there. Both have a phenomenal lead tone, and a crisp and devastating rhythm tone. I FINALLY played a Mark V and I could not get over the lightning fast response. The amp sounds wide and it sounds good at practically any volume. Not only that, but there is plenty of bite and rich definition to the highs, not to mention the percussive, controlled thump. Is it my thing? Not really. I prefer a much more modern tone to that. BUT, the amp is still jaw droppingly good. Oh, did I mention that the cleans are great? Many high gain heads have ear bleeding clean tones. *coughENGLPEAVEYSOLDANOETCcough*
My bad advice is this: You gotta try to see what works for you. Dual Rectifiers are awesome but the feel is somewhat saggy or sloppy. They can also get muddy if they aren't EQ'd properly. For metal, I STRONGLY recommend a Mills Acoustics 4 x 12. (No matter what head you put through it, actually) You might like an ENGL better but I heard a band with three guitars once. Two guys had ENGLs and the one guy had a Dual Rectifier. The Dual seriously cut through everything! I hear people here talk a lot about Peavey 5150s or even the 6505. Both would be worth checking out, IMO. It depends how much brutality you demand from your gear.