tubeydude
Active member
Yes, this is just an experiment. Socketing the IC's will allow me to go back to stock without any problems.
Op-amps, while having some different inherent characteristics were somewhat designed to be more sensitive to the circuit around it than to their internal properties. They are more predictable that discreet transistor circuits by design. All active devices have ranges through which they will work. Some of op-amps require more or less compensation than others. Some will give different results at the same levels of feedback. Op-amps differences are most pronounced when run with minimal negative feedback. However, this is almost never done. The amount and type of feedback employed has vast effects on the op-amp.
I'm just going to try two different op-amps the TLE2082CP and the OPA2134PA These both have values not too far off from the operating parameters of the TL072. The major difference is the bandwidth and slew rate. You are correct that this could result in the net circuit going into positive feedback, but at a couple bucks each, it is a cheap and non-destructive experiment.
Sometimes technically perfect circuits are not the best either. Tubes are nasty, dirty, non-linear devices that have orders of magnitude more THD that any self-respecting solid state amplifier. However, tubes sound better. Some of he the best sounding amps just dripping with character have a weak power supply that sags when called upon to deliver more power. Some even have NO global negative feedback. Talk about non-linear. Why on earth would somebody do that? Because it sounds better sometimes. If it sounds better and it is stable and not near self destructing, why not use it?
This could end up being an exercise in futility, but at least I will learn something out of this. Might even sound better too.
I'm not going to go messing around with the operating point of the op-amps as 1) I am not all that great with optimizing circuits and 2) I just don't want to get that deep into it.
One of the reasons I'm doing this is that I just got a Studio pre and the recording outs of that unit are quite a bit more dynamic than the TX. Just got me thinking about where the differences are. The Studio does not have an op-amp driving the rec out circuit. Is that the only difference? Of course not, but it is one that is relatively easy for me to vary and see if there is any difference.
Nothing wrong with curiosity and exploration...in the right hands and with a bit or research and knowledge. If someone is willing to put in the effort and time to make changes and are then prepared to deal with the consequences, why discourage them. Granted some non-technical people should NEVER open any electronics, but others might get a kick out of it and learn something.
I'm not trying to say your wrong at all. You are right on all counts. I just say it might be good to encourage a bit of learning rather than shut the door on any tone quest.
FWIW,
Erik
Op-amps, while having some different inherent characteristics were somewhat designed to be more sensitive to the circuit around it than to their internal properties. They are more predictable that discreet transistor circuits by design. All active devices have ranges through which they will work. Some of op-amps require more or less compensation than others. Some will give different results at the same levels of feedback. Op-amps differences are most pronounced when run with minimal negative feedback. However, this is almost never done. The amount and type of feedback employed has vast effects on the op-amp.
I'm just going to try two different op-amps the TLE2082CP and the OPA2134PA These both have values not too far off from the operating parameters of the TL072. The major difference is the bandwidth and slew rate. You are correct that this could result in the net circuit going into positive feedback, but at a couple bucks each, it is a cheap and non-destructive experiment.
Sometimes technically perfect circuits are not the best either. Tubes are nasty, dirty, non-linear devices that have orders of magnitude more THD that any self-respecting solid state amplifier. However, tubes sound better. Some of he the best sounding amps just dripping with character have a weak power supply that sags when called upon to deliver more power. Some even have NO global negative feedback. Talk about non-linear. Why on earth would somebody do that? Because it sounds better sometimes. If it sounds better and it is stable and not near self destructing, why not use it?
This could end up being an exercise in futility, but at least I will learn something out of this. Might even sound better too.
I'm not going to go messing around with the operating point of the op-amps as 1) I am not all that great with optimizing circuits and 2) I just don't want to get that deep into it.
One of the reasons I'm doing this is that I just got a Studio pre and the recording outs of that unit are quite a bit more dynamic than the TX. Just got me thinking about where the differences are. The Studio does not have an op-amp driving the rec out circuit. Is that the only difference? Of course not, but it is one that is relatively easy for me to vary and see if there is any difference.
Nothing wrong with curiosity and exploration...in the right hands and with a bit or research and knowledge. If someone is willing to put in the effort and time to make changes and are then prepared to deal with the consequences, why discourage them. Granted some non-technical people should NEVER open any electronics, but others might get a kick out of it and learn something.
I'm not trying to say your wrong at all. You are right on all counts. I just say it might be good to encourage a bit of learning rather than shut the door on any tone quest.
FWIW,
Erik