Well I've finally gone there, and I have to say I'm quite impressed. The stereo effects like chorus and flange are so addicting. I find that using a dual stereo delay with one side 25ms different makes the amp sound huge, add a bit of stereo chorus and hall reverb and I'm channeling my inner Gilmour.
And surprisingly, a lot of that wide soundstage still comes though the band in the room.
Thank God we have a trailer and ramps lol. We don't gig as much as we used to 10 years ago, and usually only play festivals and outdoor shows 3-5 times a year.
Anyone else regularly play and gig a stereo rig?
Here's a couple of quick pics from practice last night. I'm using the Roadster's Poweramp for the left channel, and one side of the Recto 2:100 for the right channel. I split the FX send to two GCX loops which have a TC Dreamscape in stereo, then those two loops feed the G-Major. I use the G-Major to switch the 2:100 into Modern mode to match when using Modern mode on the Roadster. The MXR 10 band is right before the split. This all is feeding two verticle 2X12's (or 4X12's depending on gig).
Dom
And surprisingly, a lot of that wide soundstage still comes though the band in the room.
Thank God we have a trailer and ramps lol. We don't gig as much as we used to 10 years ago, and usually only play festivals and outdoor shows 3-5 times a year.
Anyone else regularly play and gig a stereo rig?
Here's a couple of quick pics from practice last night. I'm using the Roadster's Poweramp for the left channel, and one side of the Recto 2:100 for the right channel. I split the FX send to two GCX loops which have a TC Dreamscape in stereo, then those two loops feed the G-Major. I use the G-Major to switch the 2:100 into Modern mode to match when using Modern mode on the Roadster. The MXR 10 band is right before the split. This all is feeding two verticle 2X12's (or 4X12's depending on gig).
Dom